射雕英雄传1977

简介：威尔欧丁（达尼埃尔·麦克唐纳 Danielle Macdonald 饰）是一个身材有些微胖的女孩，人们给她取了一个外号叫做“饺子”。威尔欧丁的母亲罗西（詹妮弗·安妮斯顿 Jennifer Aniston 饰）曾经是当地的选美皇后，并且一直都在热心的策划着每一届选美比赛。人到中年但风韵犹存的罗西让威尔欧丁对自己的容貌和身材感到更加的自卑，母女两人常常因为这种事情拌嘴吵架。　　威尔欧丁决定在罗西策划的选美比赛中捣乱，于是勇敢报名。之后，在一家酒吧里，威尔欧丁遇见了扮装皇后多利（哈罗·佩里纽 Harold Perrineau Jr. 饰），多利看出了女孩内心的秘密，于是决定帮助威尔欧丁，将她变成一个更好的人。

简介：

 解放前夕，西北某地。连长郑强（吴京安 饰）带领一支孕妇分队经长途跋涉，终于来到盘龙堡。没想到野战医院撤走了，不知丈夫牺牲的潘二嫂（王茜华 饰）此时生产了。误信丈夫当了叛徒的刘雪鸣（剧雪 饰）也生下一个女婴，产后思想压力很大。她抱着刚出生的女儿跳塘，被陈大曼（宋春丽 饰）救起，陈个人经历悲惨，造成脾气性格古怪，对她彼有好感的郑强几次欲表达感情均遭拒绝。在和敌骑兵遭遇战中，郑强牺牲了，临终前他对陈吐露心声，陈痛不欲生。次日，孕妇队高举写有烈士名字的破军装涉水前行，冒着敌炮火强渡泾河，关健时刻，接应的部队到了，而此时的冰姑（博弘 饰）则在战火中生下了自己的儿子......

简介：在一场死亡率不是1%，而是98%左右的疫情之后，艾莉离开了她的街区，到了一个新的城市，在那里她遇到了奎恩，一个对新世界有独特生存之道的人。

简介：影片是根据真人真事改编的，K19是苏联第一艘战略核潜艇。　　影片导演凯瑟琳·毕格罗是首位奥斯卡最佳女导演奖获得者。　　亚里克西（哈里森·福特 Harrison Ford 饰）船长，在冷战最为紧张的时刻接到命令接替原船长米克黑尔（ 连姆·尼森 Liam Neeson 饰）出任核动力导弹潜艇K-19的指挥官。亚里克西的任务是不惜一切代价，尽快将这艘维护不当的潜艇投入作战戒备，执行其处女航行。但是两人和全艇忠诚的官兵们压根也没想到他们会去执行什么任务。他们也无法料想到失败的代价对于他们以及全世界会意味着什么。那时，一个核反应堆发生故障，一个危险的燃料棒即将溶融、发生核爆炸，这将肯定使艇上所有人员葬身海底。当时他们在北冰洋底游弋，是全体船员们的勇敢，以及船长对国家和对船员们的职责感最终挽救了K-19，避免了一场即将发生的核灾难。

简介：

When a prisoner vanishes without a trace, Detective Frank Morley is sent to a decaying prison on the verge of shutdown. What begins as a routine investigation quickly spirals into a dangerous search for answers. As reality fractures, Frank is haunted by the secrets that lie within the prison walls.

简介：安东尼奥和埃斯特雷拉是潜水兄弟。他从事海上工程工作，她研究水下生物并协助他。他们经济状况不稳定，但在停靠在韦尔瓦的一艘船的船体中发现藏匿的可卡因后，经济状况可能会有所改善。

简介：

 沙漠里流传着一句话：天出血，人死绝。 故事发生在旧时代的西北，这样一片沙漠地带，它讲述了一个爱情悲剧故事。 年青的问九因乡邻间缺水争执而出逃在外，待回来时，曾与之心心相印的秀秀姑娘已被族叔迎娶，成了他的婶婶。水继续威胁着人们的生存，问九的族叔为富不仁，竟以空手能否从滚开的油锅里捞起铜钱来决定人们在绿洲的去留，他狠毒地骗问九替他捞起铜钱却又暗地加害问九。问九奋起抗争，砍死了族叔，被官府捉捕。 牢狱未能囚住问九渴求自由的心。他一次次寻求机会越狱。数十年后，当问九逃出虎口，却又被沙漠里的土匪抓住逼他带路，对秀秀的爱情支撑着问九最后的生命，他再次出逃，挣扎着爬回自己的故乡。但黄沙已无情地吞噬了这里的一切，唯有刻着绿洲村的石柱还未被淹没。问九手抚石柱瞑目在这荒原上。 荒原上，彩霞满天。天出血，人死绝。

简介：

12岁的玛丽埃尔一夜之间发展出了心灵感应的能力。她突然能够看到和听到父母在私生活中的所作所为——无论是白天还是黑夜。女孩原本如诗般美好的世界因此破碎，而父母也陷入了如何应对女儿这种全方位“监视”的困境之中。

简介：2025年9月电视剧（网络剧）备案 当代都市 海南澳洋文娱传媒有限公司

简介：After moving to the suburbs, a young couple finds themselves trapped in an epic battle between their new HOA and an onslaught of monsters from hell.

简介：

　　在塔利班接管喀布尔期间，阿富汗军队守卫着法国大使馆。他们肩负着在混乱中疏散500人至机场的任务，在试图绝望逃离这座正在沦陷的城市时，面临着巨大的风险。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.