江湖最后一个大佬

简介：一对女孩维多利亚·迪桑（梅根·查彭提尔 Megan Charpentier饰）和莉莉·迪桑（伊莎贝尔·内利瑟 Isabelle Nélisse饰）的母亲被他们的父亲所杀，父亲也随即自杀并将两个女儿遗弃在树林里。五年后，她们被发现时状况极差，孤独、饥饿，她们对一切的肢体接触都会感到恐惧和抗拒，没人知道她们是如何在如此孤独的环境中存活的。叔叔卢卡斯（尼可拉·科斯特-瓦尔道 Nikolaj Coster-Waldau饰）和女友安娜贝尔（杰西卡·查斯坦 Jessica Chastain饰）收养了她们，原本平静的生活就此打破。黑暗中，总有一个如影随形的亡魂，而这个想要置他们于死地的鬼魂，两个女孩叫她：妈妈。　　本部影片是西班牙导演安德斯·穆斯切蒂的长片处女作，翻拍自他2008年拍摄的同名短片。

简介：A skilled young female agent is tasked with capturing a rogue former agent before she can unleash a biological weapon starting with the wealthy and powerful purveyors of the international sex trade.

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简介：1914年8月，当德国军队在法国北部取得进展时，四名10至15岁的男孩，吕西安、卢卡斯、路易吉和路德维希在撤离孤儿院时被留下。不久，与父母失散的小女孩露丝加入了他们的行列，他们决定使用千方百计也要到达中立国瑞士，于是一场毫无准备的冒险开始了。

简介：《除暴安良》据上世纪70年代同名英国热播电视剧改编，讲述两名警官杰克和乔治合作打击犯罪的故事。影片大量运用特技效果，营造出一轮又一轮的枪战和飙车戏，视觉冲击力极为震撼。影片的两位核心主角分别由雷·温斯顿和本·德鲁饰演。雷·温斯顿是英国著名的老牌演技派影星，《贝奥武夫》和《雷普利的游戏》等片都是其代表作。本·德鲁这名字虽听着有些陌生，但说到艺名Plan B，很多乐迷就会恍然大悟，他正是英国最当红的饶舌歌手之一。对自己“唱而优则演”，他表示要多向“老戏骨”雷·温斯顿学习：“我是温斯顿的忠实粉丝。他演的《人渣》和《性感野兽》都是我喜欢的。”

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　　大四应届毕业生安岩（王梓 配音）是一个平凡男孩，此时此刻他正为工作的事情而焦虑，当然自视甚高的他时刻不改吐槽毒舌的本性。某天，安岩乘坐公交车去位于山中度假别墅的打工，谁知途中上来三个神色诡异的男女，接着又有一个男子上车将安岩扔了下来。次日一早，安岩在家中醒来，不久便从新闻中得知他前一晚死于公交车事故的噩耗。惊愕之余，昨天那个神秘男子——馗道高手神荼（赵路 配音）。命运将安岩和神荼、张天师（彭博 配音）、王胖子（夏磊 配音）以及T.H.A协会（世界宝藏猎人协会）搅在了一起。他也将踏上一个闻所未闻的神秘旅程……

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　　知名影星杰·凯利（乔治·克鲁尼 饰）展开一段自我探索的旅程，与对他不离不弃的经理人罗恩（亚当·桑德勒 饰）一同面对过去与现在。这部作品既感人又幽默，深入描绘遗憾与辉煌交织的瞬间。

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 影片讲述迈克尔·杰克逊在音乐之外的人生旅程，从他以杰克逊五人组主唱之姿被发掘出惊人天赋的那一刻起，直到他成为一位极具远见的艺人，他以无穷无尽的创作能力激励自己成为全世界最伟大的娱乐巨星。 这部电影同时呈现迈克尔·杰克逊舞台之外的真实人生，并且重现他早期个人演艺生涯中最具代表性的经典表演，这部电影为观众提供最贴近的视角，以前所未见的方式窥探这位流行天王的内心世界。他的故事就此展开。

简介：一美国男子，其警员兄弟遭毒贩所害，而毒贩逃往墨西哥——投奔与贩毒集团勾连之叔父处寻求庇护——该男子身负多样执法军事背景，遂南下越境，誓要复仇。

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　　三，是家的最小单位。血脉，是维系家庭的纽带。然而，三个素不相识的人却被命运交织在一起！
　　善恶难辨的男人“驯鹿”，身怀六甲的女人李棋，哑巴男孩冰棍，三人假扮成一家人，游走于猎物与猎人之间，暗流已至，生死一瞬，一个关于家族式人口贩卖的黑暗链条逐渐浮出水面！

简介：53岁华裔移民凤霞（陈冲 饰）在加拿大蒙特利尔已经生活了大半辈子，人生被“妻子、母亲、移民”的身份牢牢捆绑：一段早已失去爱意的婚姻、需要照料的家庭、中西文化的夹缝，让她活成了别人期待的样子，也压抑了真实的自我。直到她遇见充满活力的年轻魁北克女孩卡米尔（夏洛特·奥宾 饰），一段意外的亲密关系唤醒了她埋藏多年的欲望与渴望。凤霞被迫直面内心的渴望，在家庭责任与自我解放、传统束缚与自由人生之间，做出艰难却决绝的选择，完成一场迟来的中年觉醒与自我救赎。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.