杨帆和她的丈夫袁泳，还有饭馆服务员小方，从夜晚到白天，又从日光之下延续至一个个诡谲的深夜，他们彼此间发生的的故事，荒诞离奇，却又令人无比唏嘘，三人如共生关系般存在，如同齿轮间的相互羁绊却又无法离开对方，就像最简单的游戏：石头，剪刀，布无间轮回下去。
吴星星从小喜欢武术，想要成为一名保镖。梦想缘起于，在自己做保安时意外与女主贝贝和其哥哥大壮认识，被贝贝所吸引。因为贝贝的情感问题，吴星星误打误撞成为了贝贝的保镖。因为一次误会，大壮以为父亲想要把家产都留给妹妹，并且听外人讲自己也不是父亲的亲生儿子。于是大壮绑架了妹妹，借此想要得到公司的管理权。最后吴星星救下了心爱的女人，贝贝走出了人生的低谷。最终二人收获美好的爱情。
Two codependent best friends become addicted to the heroin-like touch of an alien narcissist who may or may not be trying to take over the world. Writer and director Addison Heimann’s second feature film is provocatively comedic, inventive, and insane in the best possible way. An ode to the deliriously stylistic lens of Japanese cinema in the ’60s and ’70s, Touch Me dares to “go there” with its themes of mental health, desire, and Hentai-infused sexual abandon. Olivia Taylor Dudley sinks into character to portray a fractured and wandering human being in desperate need of a life-affirming touch, while Lou Taylor-Pucci’s tracksuit-clad alien persona is played to delightful perfection. Jordan Gavaris and Marlene Forte round out an impeccable cast of far-out characters who manage to be at once acrimonious yet relatable. The end result is a weird, wild, and frenzied fever dream with so much to unpack. While we may not be able to relieve ourselves of self-doubt, deep-seated childhood trauma, and debilitating anxiety with the simple touch of an extraterrestrial being, maybe life isn’t so bad after all?
故事围绕的士司机宇佐美浩二（木村拓哉 饰）展开，他每日奔波于都市间工作养家，却因女儿的学费、的士验车费、房屋租金等接踵而至的现实压力而身心俱疲。某日，浩二接到一项特别的委托——接载年迈的高野堇女士（倍赏千惠子 饰）从东京柴又前往神奈川叶山的养老院。“在离开东京之前，想先到几个想去的地方看看”，堇女士淡然请求。随着的士驶过日本的大街小巷，陌生的两人逐渐打开心扉，堇女士也徐徐道出自己跌宕的人生过往。这趟偶然的旅程，不仅触动了他们的心灵，也让二人在平凡的日子中，为彼此的人生留下难忘的美好印记。
