无敌原始人

简介：某走私集团盗走宝物，逃往香港。我公安刑警王丽前往香港侦破此案，并有香港刑警杨小青和李警司配合办案。国际模特美美未能及时交货，遭到香港黑社会追杀，又逃往马尼拉。于是，王丽和小青、李警司及香港黑社会也先后追至马尼拉。当美美将宝物卖给外国走私集团时，几路人为得到宝物，展开了一场枪战。最后，王丽在国际刑警的帮助下，夺回了国宝。

简介：

　　Honor's sole focus is getting into Harvard. Willing to do whatever it takes, Honor concocts a plan to take down her top three competitors, until things take a turn when she unexpectedly falls for her biggest competition.

简介：A writer who discovers an unquiet spirit inhabits a remote farmhouse.

简介：

简介：Kelly Sherwood受到一名男子的恐吓，男子要她从她工作的银行帮他偷出十万美元。男子威胁她，如果敢报警，就干掉她的妹妹Toby。Kelly Sherwood只得求助FBI探员Ripley。

简介：该片根据维吾尔族民间故事改编，讲述了一百多年前，在西域大地上的一个小山村里，爱财如命的赛莱巴依老爷经常欺压当地的百姓，虐待佣人。为了给村民们出口气，年轻的艾甫其莱木，利用巴依老爷爱贪财的弱点，让他丑态百出。最后，这位巴依老爷终于意识到自己的过失，遂决定在众人面前改过自新。从此以后，他善待乡亲，乐善好施，与大家和谐地生活在一起。

简介：

　　吴星星从小喜欢武术，想要成为一名保镖。梦想缘起于，在自己做保安时意外与女主贝贝和其哥哥大壮认识，被贝贝所吸引。因为贝贝的情感问题，吴星星误打误撞成为了贝贝的保镖。因为一次误会，大壮以为父亲想要把家产都留给妹妹，并且听外人讲自己也不是父亲的亲生儿子。于是大壮绑架了妹妹，借此想要得到公司的管理权。最后吴星星救下了心爱的女人，贝贝走出了人生的低谷。最终二人收获美好的爱情。

简介：

　　34岁的年轻女子Ella McCay（艾玛·麦基 Emma Mackey 饰）当上了州长，需要努力平衡政坛职责和家庭生活。

简介：

In an alternate present, genetically enhanced humans dominate society. Outcasts Leon and Chloe fight for justice against corrupt politicians exploiting genetic disparity, risking everything to challenge the oppressive system.

简介：一个男孩要开始学着面对父亲缺席的人生。

简介：

　　现代版的灰姑娘的故事。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.