When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae
女主夏颜，夏氏集团继承人，与男主季明修，季氏集团董事长，在十年前相遇。当时，季明修在巴黎失去了钱包，夏颜伸出援手，化解了他的困境。十年后的一个夜晚，两人再次相遇，但夏颜早已遗忘季明修，误认为他是一名酒店员工，实则，所有这一切都是他的产业。在一个工地上的偶遇，夏颜更坚信季明修只是个打工者。为了在25岁前结婚，继承家产，两人决定匆忙闪婚。在婚后的生活中……
The film is inspired by the true-to-life story of the discovery of the long-lost “Opus 28” manuscript from Norwegian composer Johan Halvorsen, originally performed in 1909 by Canadian violinist Kathleen Parlow, to whom the piece was dedicated. Campbell portrays a student who seeks to complete her thesis on Parlow by organizing a public performance of “Opus 28” from Toronto to Oslo. The cast includes Dueñas, Melanie Scheiner, Eve Duranceau, Maxim Gaudette, Rosa-Johan Uddoh, and Eileen Davies.
