归心似箭

简介：电影讲述的是加濑亮出演的日本男人前往首尔，试图与他心爱的女人复合的故事。

简介：老赵（赵本山饰）是个五十多岁的农民，他南下深圳打工，因好友老刘死了，不得不走上背对方尸体回家安葬之旅。他先把老刘伪装成醉鬼，混上长途车，却不幸在途中遇上劫匪（郭德纲等饰）。救了一车人钱财的他反而给乘客赶下了车。　　老赵只好在路上拦车，晚上住店，钱却被偷。他到别人（午马饰）的葬礼哭丧，混得饭吃……一路上，老赵遇到形形色色的中国人。目标在望之际，他累晕了，在医院中苏醒后，警察告诉他，要按规定把尸体火化。　　老赵带着老刘的骨灰回到他的家乡，那儿却已经拆迁了。门板上，写着老刘的儿子的留言。

简介：年轻的自由摄影师Thun（Ananda Everingham）这日携女友Jane（Natthaweeranuch Thongmee）与大学同窗聚会完毕开车归家，途中Jane将一名飘忽而至的女子撞倒在地。Jane欲下车查看女子伤势，被Thun劝阻，两人匆忙逃离肇事现场。Jane开始终日坐立不安，并指责Thun冷血，Thun只叫她放宽心莫多虑。　　Jane的担心并非多余，一连串怪事紧接将他们找上：Thun所拍的许多照片上多出一个模糊的女影、颈部莫名疼痛起来、那日聚会的同窗先后跳楼死去……两人更在暗室多次突然陷入恐怖氛围中。为了摆脱噩梦，Jane决定展开深入调查，与Thun有关的一个女子的悲惨经历慢慢浮出水面。

简介：沃尔特（Peter Linz 配音）和盖瑞（杰森·席格尔 Jason Segel 饰）是一对情深意笃的兄弟，所不同的是沃尔特是一个永远不会长高的布偶，而盖瑞则是正常的人类。岁月流逝，盖瑞渐渐长大，拥有自己的工作和爱情，沃尔特则始终保持孩童般的心，他最爱看的就是电视上播放 的布偶秀，即使这个节目已经停播多年，但他还是布偶秀的忠实粉丝。某天，盖瑞和女友玛丽（艾米·亚当斯 Amy Adams 饰）、沃尔特前往洛杉矶旅行，顺便参观布偶秀的剧院。沃尔特意外得知，某黑心商人要收购这里的土地挖掘石油。为了保护心中的圣地，他必须找到散落在各个角落的布偶家族成员……　　本片荣获2012年奥斯卡最佳原创歌曲奖。

简介：在人类贪婪、诱惑和道德沦丧的深渊中，泰国东北部民间传说中邪恶的食尸鬼哈贡（Ha Gom）徘徊于文明世界，以人类的脆弱为食。只要贪婪持续存在，食尸鬼便会伺机而动，准备吞噬人类的精神和人性。最大的恐惧或许就是成为你所恐惧的怪物。

简介：电影《天眼风云》讲述了1950年上海防空作战中解放军第一个雷达站的故事。解放上海的英雄连连长周长生，一群意气风发的大学生，一队骁勇善战的苏联空军英雄，在充斥着挑战危机和使命担当的战斗中经历着萌发的友情、爱情…，奉献着青春、生命…影片真实展现了新中国第一代雷达兵科技报国的赤胆忠心，还原了知识青年科技报国的使命追求。寄托了几代雷达兵的革命情怀，是一部真正意义上的雷达兵题材的 “军事故事片”。

简介：

　　在全国队选拔试训的关键一周，年轻的体操运动员发现意外怀孕的消息。当她准备去买非法堕胎药时，在路上遇到了一个神秘的女孩。这个神秘的女孩对她的决定提出了深刻的质疑，让她开始重新思考自己的选择。

简介：怀孕的马塞拉·博尔赫斯和她的家人面临恐怖，武装入侵者从他们位于佛罗里达州的家中索要 20 万美元。由于无法获得这些资金，马塞拉必须做出关键决定，保护她的亲人免受暴力劫持者的伤害。

简介：

　　吴星星从小喜欢武术，想要成为一名保镖。梦想缘起于，在自己做保安时意外与女主贝贝和其哥哥大壮认识，被贝贝所吸引。因为贝贝的情感问题，吴星星误打误撞成为了贝贝的保镖。因为一次误会，大壮以为父亲想要把家产都留给妹妹，并且听外人讲自己也不是父亲的亲生儿子。于是大壮绑架了妹妹，借此想要得到公司的管理权。最后吴星星救下了心爱的女人，贝贝走出了人生的低谷。最终二人收获美好的爱情。

简介：

　　在美国一个小镇里，有很多的人离奇死去。他们的身体被不明物体咬得残缺不全。卫生部长麦克查得该镇的大部分地区是建在有毒的垃圾场，这种有毒的废料改变了蛞蝓的基因，使其变成食肉怪兽，并以惊人的速度繁殖，麦克和他的朋友为了拯救小镇的居民，带上特制的药水冲向蛞蝓的老穴。

简介：The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women.

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.