歌颂了古代佳人西施,为了救国 甘愿牺牲青春和爱情的高尚情操。
这部令人惊叹的三集剧集于今年的地球日首播,大卫·艾登堡遍访全球,从哥斯达黎加的热带雨林到冰雪覆盖的苏格兰高地,向人们展示了动物使用颜色时所采用的非同寻常且前所未有的方式。借助专为本剧集设计的革命性摄像技术,观众将体验到人眼不可见的颜色在动物互动中扮演的重要角色。从蝴蝶翅膀上看似神奇的紫外线信号,到孟加拉虎条纹背后令人惊讶却又至关重要的用途,一个隐藏的色彩世界正等待着人们去发现。
VietnamrespondstothewittyandgrandioseIndonesianthriller“TheRaid”(2011)astoundingly,withalethalextravaganzaofmartialarts,full-capacitytensionandadrenalineontrucks,boatsandbikes.Thisspectacularlychoreographedtotalactiondynamicthrillerplungesintothedarkestcornersofviciousrevengeingorgeouslocations.LuongĐìnhDũngmakesa180-degreeturnfromhistwopreviousfilms“FatherandSon”and“DrowsyCity”,todeliverajaw-droppinglybreath-takingspectacleofmassivefistfights,vigorouschases,swordduels,sharpwounds,andtwistytraps.Non-chronologicalsentimentalflashbacksoffershocking,grippingandplausiblemotivationsforfranticanger,savagedfury,extremetorture,andanunchaineddesiretokill.HumblyhonesttruckdriverHunglearnsthatthedepressionandparanoiaofhisteenagedaughterAnwascausedbyrecentkidnappingandmolestation.Enraged,thelovingfatherridestotakerevengeoncreepypsychopaedophilemillionairewhoisprotectedbyhisspoiltandmercilessmusicianson,wretchedstubbornhenchmenandfilthysluttyfemalebikers.Thesebastardsdeservegrittyeliminationwithout50/50or#metoopenance,sentiments,guiltorpity.Thereissomethingamazingheretowitnessonthebigscreen,andexpectationsforanimminentsequelarehigh.VietnamnominatedthefilmfortheOscarfortheBestInternationalFilm.