影片《童心无归处》讲述了世界上最轰动的一起谋杀案——美国六岁选美小皇后琼贝妮特·拉姆齐的死亡之谜。该案经过长达二十年的不休争议,屡次登上《时代》周刊和《人物》杂志封面,各大新闻媒体不断猜测凶手究竟是谁,而公众对其亲生父母及其学校一位男老师可能是凶手的指责更是甚嚣尘上。 影片《童心无归处》在纪实和非纪实之间游走,向观众呈现了一种非常奇特的电影风格,再现了小明星难解的死亡之谜。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自:https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae
经验丰富的录音师山姆・埃文斯前往一片与世隔绝的森林想要录制远离喧嚣的各种声音。随着山姆不断深入森林,他的麦克风捕捉到了一种在独自身处森林时谁都不愿听到的声音。
以2023年辛芷蕾第三十场出演独角戏话剧《初步举证》为倒计时,记录辛芷蕾为了准备话剧全情投入排练的一个月时间并最终登上舞台的各种事件,并穿插了不少话剧排练彩排片段等。在舞台上这是话剧角色泰莎面对困境如何为自我发声和自我成长;在舞台下和排练厅里,辛芷蕾不仅完成了自己一个影视演员到一个舞台剧演员的转变,更是在排演话剧的过程中完成了对自我的挑战、成长和认可。 这不单单是一个女演员走出舒适区,实现自我成长的故事,更是一个普通女性在面对困难如何挑战和突破的故事,更是给予观众启发,在遇到困境或是自己最害怕的事的时候是选择逃避?还是直面困境的应对、勇敢为自己发声。