242
5.0

黑色咖啡店

导演:
郑圣一
主演:
申河均,文晶熙,郑有美,申秀珍,金惠娜
别名:
未知
5.0
242人评分
韩语
语言
2010-12-30
上映时间
未知
片长
简介:

  韩国知性影评人郑圣一掷地有声的处女作,示范经典文本挪移大法。2004 年重见天日的清溪川两岸像极超现实人工场景,为不眠城市游魂提供乍明乍暗的情感讨论区,熟读杜斯妥也夫斯基《白夜》,和歌德《少年维特的烦恼》对白的观众会有额外收获,深爱维斯康堤版本的《白夜》者也少不了隔世对照的乐趣。一段向高达《不法之徒》致敬的咖啡厅之舞,提醒你记得现代电影的不同流精神,俨如指出现在的韩片拍得太乖了。这是拥有高度独立魂魄的当代韩国城市史诗。

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  某日,野原新之助(矢岛晶子 配音)正在公园里和风间(真柴摩利 配音)、妮妮(林玉绪 配音)等朋友们玩耍,意外遇见了一位名为金有久美子(钉宫理惠 配音)的神秘女子,久美子告诉小新,自己来自于遥远的未来世界,而彼时已经长大成人的新之助,正是自己的未婚夫。                                                                      跟随着久美子,小新一行人来到了未来,在那里,金友电机的社长,亦是久美子的父亲金有增藏手握大权,并且绑架了一直和自己作对的新之助。得知小新的到来会阻碍自己的计划,增藏派出了刺客,在强大的敌人面前,小新能否顺利救出新之助,并且帮助面前这个陷入了黑暗之中的世界重新找回光明呢?

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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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