魔屋

简介：Olga and Maks are 15 years away. She is a successful woman with an established position, the mother of an adult daughter, he is a handsome young man who enjoys his life in a handful and lives only in the moment. It might seem that these two different worlds will never meet, and yet fate put them in the way.

简介：“头七”，是指人去世后的第七天，传说中人的魂魄会在那一天回到家中，因此，守灵的生者在那一夜不能睡觉，要点亮长明灯，为逝者指路。肖克（李泰 饰）和马莉（王艺嘉 饰）结婚多年，彼此之间感情一直十分要好，然而，令肖克没有想到的是，妻子竟然先自己一步离开了人世。　　帮马莉办完了丧事，肖克总算能从悲伤的氛围之中抬头喘一口气，他决定好好的给自己放一个长假。然而，马莉的头七之后，诡异的事情接二连三的发生，似乎有鬼影游荡在肖克的家中，久久不肯散去，妻子疑似被反动过的遗物亦表明这一切和她的死有着脱不清的干系。这一切的背后究竟隐藏着怎样的秘密呢？

简介：

　　某座高中迎来了新的学生，虽然有着美丽容颜却土了土气的女孩日比野椿（武井咲 饰），在开学典礼当天竟然被入学成绩第一名的帅哥椿京汰（松坂桃李 饰）夺去初吻。以此为开端，京汰将日比野当作捉弄的对象，乐此不疲。虽然讨厌这个英俊帅气却举止轻薄的男孩，可是日比野内心深处却悄悄发生着转变。古板、传统的女孩情窦初开，些许品尝到青春和初恋的甜蜜。与此同时，京汰对日比野的情感也正发生着变化。在那个看似无比浪漫的情人节夜晚，抬头望见繁星的天文台上，日比野鼓起勇气向京汰告白，谁知他们的关系竟急转直下……
　　本片根据漫画家水波风南的同名原作改编。

简介：

　　围绕苗族芦笙展开故事的影片，是一部融合喜剧、励志、音乐元素的少数民族风格电影。影片中，苗族“金芦笙”世家的独子陶天益被父亲寄予厚望，希望他将“金芦笙”的荣誉继承下来。但天益却有着自己的音乐追求，在经历选秀失败后，巧合之下成为“网红”。最后与乐队的对决中，天益静下心来，感受着自然万物的声音，最终吹响了苗家的神曲《凤凰展翅》。

简介：

　　讲述曾是天才白帽黑客的主人公野原（阿部宽 饰）因被陷害而失去一切，他策划欺骗金融市场的AI“守门人”，试图获取巨额财富的故事。
　　本片改编自川村彻彦的小说《止损：外汇模拟交易成功故事》，片名“CANDLESTICK”源自金融交易中的K线图。

简介：该电影以民国民俗悬疑为题材，讲述了一个二十年前的悲剧，以及二十年后的探秘之旅。在二十年前，龙二奎（由刘交心扮演）在赶山途中救助山中麻风病院，但一次误用山中药材却引发了一场悲剧。二十年后，龙二奎携带徒弟林耀山（由张倬闻扮演）等人再次踏上赶山之路，寻找未知的秘密。

简介：在人类贪婪、诱惑和道德沦丧的深渊中，泰国东北部民间传说中邪恶的食尸鬼哈贡（Ha Gom）徘徊于文明世界，以人类的脆弱为食。只要贪婪持续存在，食尸鬼便会伺机而动，准备吞噬人类的精神和人性。最大的恐惧或许就是成为你所恐惧的怪物。

简介：Follow a group of teens who overcome societal bias and through inclusive fashion design and friendship.

简介：吉米（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）是一名刚刚从警校毕业的女警官，全身上下充满了正义感的她怀揣这一刻火热的心加入了警局的队伍之中，希望能为维护城市的和平尽到自己的一己之力。在一场抢劫案中，吉米成功的击倒了匪徒，救下了超市里的诸多人质，可是在事后的调查之中，本应该存在于现场的武器不翼而飞，吉米一下子从女英雄的座位上跌落了下来，遭到了停职检查的处分。　　不仅如此，城市里接连发生的凶杀案现场，散落着可有吉米名字的子弹，很显然吉米成为了众矢之的。与此同时，吉米邂逅了名为朗西佛（罗恩·西维尔 Ron Silver 饰）的富商，后者对她展开了热烈的追求。

简介：

　　本片改编自七十年代知名小说家江之南的作品，由华山导演。故事描述，涉世未深的刘大江（刘永）与结拜兄弟四人行，劫得一批金饰，但有人挑拨离间，致互相残杀，只得刘生还；后刘被掠去财物，为生计打劫赌档，却开罪了欧阳帮，但其帮主欣赏刘胆色，交上朋友来。帮主女保镖金燕（李丽丽）对刘有好感，协助杀了劫刘财物的人；死者为黑旗门主之女婿，但遣孀张玫瑰（胡锦）有感丈夫死有余辜，也因对刘有好感，遂网开一面……

简介：

　　When a cult that worships mind-altering parasites takes over a small town, a trio of women in lockdown are dragged into a fight for survival and revenge.

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.