二十世纪四十年代,丢失于清朝光绪年间的十二生肖像中的其中三面在民间出现。广州不法古董商莫云天就私藏其中的蛇面像,只要找到猴面像和虎面像后,就可以高价卖给英国商人而获取暴利。 为了不让三件国宝流出国外,文物局侦察员马成和爱国义士金祥一直暗中跟踪私藏猴面像的通缉犯韩奎。韩奎的猴面像在广州车站被莫云天抢走后不久,莫云天就通过盗掘古墓找到了虎面像。正在莫云天喜庆之时,刚到手的虎面像却被韩奎暗中劫...
这部电影讲述了特工埃尔坦被逐出情报机构,以及扎费尔了解他的职业的故事。 由于特工埃尔坦的缘故,DISCO情报机构一项持续多年的秘密行动失败了。埃尔坦被停职后,和妻子塞达一起去度假。在那里,他遇到了班德尔马的理发师扎费尔和他的妻子艾努尔。扎费尔得知埃尔坦的身份后,提出一个条件,只要他愿意保持沉默:他们必须一起完成埃尔坦未竟的行动。因为情报机构正在追捕的组织就在同一家酒店,行动的成败掌握在埃尔坦手中。从未担任过外勤特工的埃尔坦勉强同意让扎费尔参与行动。塞达和艾努尔的意外支持将彻底改变一切。
Two codependent best friends become addicted to the heroin-like touch of an alien narcissist who may or may not be trying to take over the world. Writer and director Addison Heimann’s second feature film is provocatively comedic, inventive, and insane in the best possible way. An ode to the deliriously stylistic lens of Japanese cinema in the ’60s and ’70s, Touch Me dares to “go there” with its themes of mental health, desire, and Hentai-infused sexual abandon. Olivia Taylor Dudley sinks into character to portray a fractured and wandering human being in desperate need of a life-affirming touch, while Lou Taylor-Pucci’s tracksuit-clad alien persona is played to delightful perfection. Jordan Gavaris and Marlene Forte round out an impeccable cast of far-out characters who manage to be at once acrimonious yet relatable. The end result is a weird, wild, and frenzied fever dream with so much to unpack. While we may not be able to relieve ourselves of self-doubt, deep-seated childhood trauma, and debilitating anxiety with the simple touch of an extraterrestrial being, maybe life isn’t so bad after all?
泥娃娃,泥娃娃,一個泥娃娃⋯⋯ 童謠的背後,隱藏著神秘驚悚的故事。在遊戲公司工作的旭川(楊祐寧 飾),為開發一項新的恐怖VR遊戲,意外將一尊來自凶宅現場的殘破泥娃娃帶回家,沒想到懷有身孕、身為文物修護師的妻子慕華(蔡思韵 飾)對其產生異常執念,不斷進行修復。隨著家中怪事頻傳,慕華狀態也越來越虛弱,旭川無計可施,輾轉求助通靈驅魔人阿生(張軒睿 飾),而泥娃娃背後深埋的駭人祕密,也隨之浮出水面⋯⋯