被窃之物

When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae

Two codependent best friends become addicted to the heroin-like touch of an alien narcissist who may or may not be trying to take over the world. Writer and director Addison Heimann’s second feature film is provocatively comedic, inventive, and insane in the best possible way. An ode to the deliriously stylistic lens of Japanese cinema in the ’60s and ’70s, Touch Me dares to “go there” with its themes of mental health, desire, and Hentai-infused sexual abandon. Olivia Taylor Dudley sinks into character to portray a fractured and wandering human being in desperate need of a life-affirming touch, while Lou Taylor-Pucci’s tracksuit-clad alien persona is played to delightful perfection. Jordan Gavaris and Marlene Forte round out an impeccable cast of far-out characters who manage to be at once acrimonious yet relatable. The end result is a weird, wild, and frenzied fever dream with so much to unpack. While we may not be able to relieve ourselves of self-doubt, deep-seated childhood trauma, and debilitating anxiety with the simple touch of an extraterrestrial being, maybe life isn’t so bad after all?

　　34岁的年轻女子Ella McCay（艾玛·麦基 Emma Mackey 饰）当上了州长，需要努力平衡政坛职责和家庭生活。

　　港台一带发生不少枪击罪案，经调查乃大陆一些不法之徒所为，黑松乃黑道大哥，为赚钱无恶不作，一次约好买家法兰于离岛作大批军火交易，但消息走漏被肥陈一伙埋伏欲杀人夺货，伺机再和买家联络，警方甚为重视这案件，分派人马往大陆调查及加强水陆两路的调查，探目阿明因犯错而被上司停职，失意之余流连酒吧，交上黑松，松邀他同往菲律宾发财，明答应，黑松命手下将军火运至食人岛，谁料遭食人族追杀，几经辛苦摆脱，但军火却不知道所踪，法兰在菲律宾聘杀手阿星追击黑松，以为他吞去军火订金，幸阿明出面保护，黑松将军火失落在食人岛之事告知法兰，彼此商量后决定联手同往找寻，众人至岛上，岛民见生面人而展开攻击，阿星被岛民捉去，欲与族长之女儿恋上，黑松等人在山洞内发现军火，双方展开争夺战，俩皆被对方击毙，阿明死里逃生，押着大批军火回港……

故事主角是失去五岁女儿芽衣的铃木佳惠（长泽雅美）和丈夫忠彦（濑户康史）。沉浸在悲伤中的佳惠，在古董市场找到一个与芽衣非常相似的可爱洋娃娃，并开始呵护它，逐渐恢复了活力。但是，佳惠和忠彦有了新的女儿真衣之后，两人就不再关注这个洋娃娃了。渐渐地，五岁大的真衣开始和洋娃娃玩耍，这个家庭接二连三地发生奇怪的事情。佳惠他们试图摆脱这个洋娃娃，但无论扔掉还是供奉，这个洋娃娃却莫名其妙地回来了！洋娃娃隐藏的秘密是什么？以及即将揭开的震撼真相是什么——！

　　《再见，我的新郎》记录了同志青年肖恩·彼特尼·克罗恩 （Shane Bitney Crone） 和汤姆·布莱德格鲁（Tom Bridegroom）感人的爱情故事。他们刻骨铭心的相爱，曾经考虑结婚育子、组建家庭，然而所有可能性随着汤姆在2011年5月7日由屋顶意外坠落而化为乌有。肖恩不能去医院见汤姆最后的一眼，他无权处置汤姆的遗物，他甚至被禁止出席汤姆的葬礼，一切只因为他不是汤姆的“家人”，他们的关系得不到法律认可。
　　2012年汤姆去世一周年时，肖恩将他的不幸故事做成视频上传到YouTube网站，结果在世界各地引起极大反响，从而最终促成这部《再见，我的新郎》的诞生。《再见，我的新郎》获纽约翠贝卡电影节观众票选最佳纪录片奖。

　　没有人能够毁掉他的假期！