托尼原本和已故姐姐的五个养子女过着美满的生活,然而两名非洲修女送来两个婴儿,称这是姐姐去世前最新收养的孩子,托尼的安稳生活再度彻底被打乱。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自:https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae
本片由珍妮佛皮顿导演操刀,讲述着珠穆朗玛峰的夏尔巴人在2014年4月18日发生的致命雪崩夺走16位夏尔巴同胞性命后,如何团结走出伤悲,更誓言要夺回属于他们的圣山。 这是一部非常撼动人心的电影,带领我们前往从来没有去过的地方,实际深入夏尔巴人的生活,真正认识这群让攀登珠穆朗玛峰成为一种文化的当地人。
沙漠里流传着一句话:天出血,人死绝。 故事发生在旧时代的西北,这样一片沙漠地带,它讲述了一个爱情悲剧故事。 年青的问九因乡邻间缺水争执而出逃在外,待回来时,曾与之心心相印的秀秀姑娘已被族叔迎娶,成了他的婶婶。水继续威胁着人们的生存,问九的族叔为富不仁,竟以空手能否从滚开的油锅里捞起铜钱来决定人们在绿洲的去留,他狠毒地骗问九替他捞起铜钱却又暗地加害问九。问九奋起抗争,砍死了族叔,被官府捉捕。 牢狱未能囚住问九渴求自由的心。他一次次寻求机会越狱。数十年后,当问九逃出虎口,却又被沙漠里的土匪抓住逼他带路,对秀秀的爱情支撑着问九最后的生命,他再次出逃,挣扎着爬回自己的故乡。但黄沙已无情地吞噬了这里的一切,唯有刻着绿洲村的石柱还未被淹没。问九手抚石柱瞑目在这荒原上。 荒原上,彩霞满天。天出血,人死绝。