不同寻常的攻击席卷整个美国——二战老兵被残忍的猎杀。当调查发现事件的幕后真凶是不死纳粹僵尸三人组后，神秘先锋成员，特工Conda出马从既定的劫数中拯救剩余的老兵。
The film opens in a bleak police station where celebrated war correspondent Kate Rafter (Seagrove) faces questions from a psychiatrist, Dr Shaw (Kurylenko), as they work through the painful events of Rafter’s life. A horrific incident in war-torn Iraq and the death of her mother (Steed) have brought a haunted Rafter home to Herne Bay, a place she believed she had escaped forever. Her resentful sister (Friel) has not made her sister welcome and her forbearing husband Paul (Miles) fails to broker peace. Whilst packing up her mother’s belongings from her childhood home, Rafter comes to believe there is something strange and terrifying happening in the house next door.
我们最原始的恐惧之一就是对未知的恐惧编织了一系列故事。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae
