纽伦堡

简介：

　　故事发生在遥远的2028年，机器人早已经普及走进了千家万户，在使用期限结束后，它们便会被回收销毁。机器人们当然不愿意面对被销毁的命运，因此政府组建了MP部队，专门追捕和破坏逃跑叛乱的机器人，R（刘智泰 饰）便是部队中的一员。
　　一次偶然中，R遇见了名为丽娅（徐琳 饰）的舞女机器人，丽娅的美丽和善良深深吸引了R的注意，令他坠入了情网。然而，丽娅的生命只剩下十天了，不忍看到爱人就此逝去，R找到了克洛伊博士（郑恩杓 饰）。博士告诉R，想要延续丽娅的生命，只有找到一个人类女孩，将丽娅的芯片植入她的体内。很快，一个名为诗馨（李在银 饰）的女孩便成为了R的目标。

简介：

　　不同寻常的攻击席卷整个美国——二战老兵被残忍的猎杀。当调查发现事件的幕后真凶是不死纳粹僵尸三人组后，神秘先锋成员，特工Conda出马从既定的劫数中拯救剩余的老兵。

简介：A film examining the consequences of a neighbour’s death on Maria, one of the women living in the building. Soon after her interrogation by the police, Maria finds herself in charge of the funeral. Entangled in this Kafkaesque situation, everything seems to go wrong in Maria’s life as a pervasive, nerve-racking feeling that she’s haunted by the late neighbour continually eats away at her.

简介：拓荒者的足迹》中，农村实验站负责人辛启明，是20世纪60年代初农业大学学生，由于说了几句真话惨遭打击，未毕业就被遣送到塞外荒原。他虽处逆境，但仍对未来充满信心和希望，十八年如一日，治沙防害从事土壤改造，并勇于同弄虚作假的场长魏大雄作斗争，是一位真正的拓荒者。最后冤案平反，被任命为农场新场长，开始了新的征程。

简介：一天，主人带着宠物狗运（迈克尔·J·福克斯 Michael J. Fox 配音）、莎莎（莎莉·菲尔德 Sally Field 配音）和幻影（拉尔夫·韦特Ralph Waite 配音）来到机场，他决定和他的小动物们前往洛杉矶，来一场精彩刺激的露营。然而，胆小的狗运误会了主人的用意，以为主人打算遗弃它，于是吓得一通乱窜不见了踪影，无奈之下，莎莎和幻影只得尾随其后，确保狗运的安全。　　三只小动物就这样流落在了旧金山车水马龙的街头，它们要面对的，除了当地凶神恶煞的流浪狗外，还要提防野狗收容所派出的捕狗队对它们展开的围剿。最终，三只可爱的动物们凭借着它们的智慧，回到了主人的身旁。

简介：

简介：卡罗索（乔治斯·科拉菲斯 Georges Corraface 饰）因为要参加同学聚会，而回到了阔别已久的故乡，在那里，熟悉的景象勾起了他无数的回忆，也让那个隐藏在他回忆深处的人影渐渐清晰起来。这个人是卡罗索的表妹马丽娜（Markella Pappa 饰），两人是青梅竹马的玩伴，整天就在一起虚度无忧无虑的童年。随着年龄的增长，卡罗索和马丽娜都渐渐意识到两人之间性别的不同，本来单纯的友谊也慢慢变成了爱情，此时，卡罗索的父母选择将儿子送进了教会学校，两人的缘分就此终结。　　一晃眼多年过去，卡罗索如他童年时代许下的愿望那般，真的成为了一名飞机工程师，同学聚会当天，他意外的接到了来自马丽娜的电话。

简介：

　　本片改编自七十年代知名小说家江之南的作品，由华山导演。故事描述，涉世未深的刘大江（刘永）与结拜兄弟四人行，劫得一批金饰，但有人挑拨离间，致互相残杀，只得刘生还；后刘被掠去财物，为生计打劫赌档，却开罪了欧阳帮，但其帮主欣赏刘胆色，交上朋友来。帮主女保镖金燕（李丽丽）对刘有好感，协助杀了劫刘财物的人；死者为黑旗门主之女婿，但遣孀张玫瑰（胡锦）有感丈夫死有余辜，也因对刘有好感，遂网开一面……

简介：

　　在美国一个小镇里，有很多的人离奇死去。他们的身体被不明物体咬得残缺不全。卫生部长麦克查得该镇的大部分地区是建在有毒的垃圾场，这种有毒的废料改变了蛞蝓的基因，使其变成食肉怪兽，并以惊人的速度繁殖，麦克和他的朋友为了拯救小镇的居民，带上特制的药水冲向蛞蝓的老穴。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

简介：《天山红花》是20世纪60年代拍摄的一部以新疆哈萨克族生活为主题的电影，片中“阿依古丽大嫂”、“阿斯哈勒大哥”等形象，曾深深定格在许多人的脑海里。30多年后，在新疆维吾尔自治区档案馆举办的档案展览中，一张这部片子的老剧照使人记忆犹新，很久以前的电影画面又在眼前浮现，故事情节也一点点被记起。

简介：

　　岸田智也（市原隼人）和佐藤葵（上野树里）在大学结识。二人非常合拍，葵还常常给智也出谋划策如何追女生。葵是独立电影制作小组的成员，她要在毕业前导演一部叫《THE END OF THE WORLD》的电影，于是决定选用智也当男主角。无奈毕业后，路开始分叉。葵引荐智也去了一间影视社工作，重遇那晚葵想说出对智也的情愫，然而终究没有开口。
　　葵不久飞往美国留学。正巧智也抬头，看到天空挂着彩虹。他兴奋地拍下，发送给相隔重洋的葵，但是却得到了葵飞机失事罹难的噩耗。亲人同学都悲伤不已，用她生前的电影去悼念逝者，在智也的心目中，葵也始终朦胧的牵动着他内心的爱。