The story of Dian Fossey, a scientist who fought to protect the vanishing African mountain gorillas, which was found brutally killed in 1985.
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae
编剧奈杰尔（马丁·弗瑞曼饰）、导演安德莉亚（玛琳·阿克曼饰）及其主演丈夫杰克逊（乔什·哈切森饰）与银幕搭档杰丝（杰丝·威克斯勒饰）四人因十周年粉丝大会重返威尔士，却因工作室代表订错月份而陷入充满意外与失望的周旋。
一个关于爱、渴望和归属感的故事，植根于分裂时代的移民。考察记忆、怀旧以及与家和亲人的情感联系，探索过去如何塑造身份并维持几代人的人类精神。
抗日战争时期，死刑犯秦臻在 正要被执行枪决时，莫名其妙地有 人替换了他去死。监牢里。王副官取下他头上的黑布套，放了他并让他赶快逃跑。秦臻出狱后并没有得到自由，他被人劫持到恒丰公司总经理顾源的公室。顾源明白地告诉他，他们用重金买下他的命，是为了让他去杀走私贩卖军火发国难财的欧阳敬儒将军。秦臻按照顾源的策划埋伏在长顺旅馆，安装好枪上的瞄准器，守候着将军出门。螳螂捕蝉、黄雀在后，他不知顾源正安排别人准备一旦他得手便杀他灭口。第二天早上八点钟，将军准时出门。一声枪响，欧阳将军倒在血泊中，秦臻趁混乱顺利逃走了。顾源垂头丧气地向他的上司殷长安汇报了秦臻脱逃的消息，军方和顾源一伙布置手下加紧追捕秦臻。此时王副官正向孙将军报告欧阳将军遇害的消息。孙将军命令王副官尽快抓到凶手，并查清幕后元凶，以便顺利督运抗日前线急需的军用物资。一天，秦臻在报纸上无意中看到欧阳将军被害的报道，原来，欧阳将军是华东前线的抗日将领。而守灵的王副官正是从死牢中搭救他逃跑的那个人。他这才明白自己被坏人利用，为别人除掉了一位抗日将领。他万分懊悔，决定去找顾源一伙人算帐。秦臻千方百计找到顾源，干掉了他。在这过程中，秦臻发现这里有个阴谋杀害欧阳将军、劫持抗日军用物资的“老虎钳计划”。他配合军方直捣殷长安的别墅。不料发现殷已被杀死。殷的女秘书。也是秦臻原来的恋人唐玉珠劝秦赶快逃走。秦忽然看见唐胸前别着一个闪亮的工艺品老虎钳，警觉的问：“你是谁？”唐无奈，只得慢慢地说：“我就是你要找的人。” 秦臻惊呆了，毅然拣起一具尸体旁的手雷。紧紧抱住唐玉珠。将手雷砸向地上……
安娜，一个在舒适环境中长大的城市女孩，竟然惹怒了她的父亲。为了让她学会谦逊并欣赏简单的生活，安娜被“流放”到乡下，暂时和她的祖母住在一起。对安娜来说，乡村生活是一场噩梦：高跟鞋陷进泥里，互联网不太方便，而且人们都很奇怪。
