早安越南

简介：单亲妈妈简（海瑟•洛克莱尔 Heather Locklear 饰）带着两个女儿霍莉（希拉里•达芙 Hilary Duff 饰）和佐伊一起生活。简虽然在照顾两个女儿方面得心应手，可是在处理自己的感情方面却弄得一塌糊涂，她总是和一个不怎么样的男人开始同居，然后很快出现问题，最后分手。简走马灯似的换男友可苦了两个女儿，她们跟着妈妈一起老是居无定所，从一个男友家搬到另一个男友家，从一座城市搬到另一座城市。　　为了能过上正常人的生活，霍莉决定用自己的力量帮妈妈寻找一个可靠的完美男人。当发现简的同事心地善良的兰尼开始追求简时，霍莉正式开始行动了。她暗中以兰尼的名义给妈妈送花、发email、写情书，然而老实巴交不懂情趣的兰尼却迟迟未能赢得简的芳心。霍莉的行动进一步升级，然而，事情却开始慢慢失去控制。

简介：

　　男孩J的少年时代几乎在变装酒吧里度过，因为缺乏父爱，长期帮表演者梳妆理发，想成为变装皇后的憧憬也愈加强烈。男孩终于站上舞台的一刻，15年未见的拳击手父亲A却从人群中冲出，狠揍了他一顿。父子间从未平复的伤口和悔恨是否能为两人的生命带来和解呢？

简介：

　　趣美术馆，法国著名喜剧演员为世界名画带来全新的演绎，展现名画背后的奇闻异事。

简介：

简介：건달을 하지 않았다면, 우리는 행복할 수 있었을까　　건달이 되면 멋진 남자로서 폼 나는 삶을 살 수 있을 거란 일념으로,　　배신한 선배를 물러나게 하고 마침내 보스의 자리까지 오른 ‘상곤’.　　하지만 그 일로 선배를 제낀 후배라는 오명을 쓰게 된다.　　형제보다 사랑하는 동생들과 의리를 맹세하고　　목숨보다 사랑하는 그녀와 행복까지 꿈꾸지만　　매일매일 피바람이 불어대는 지옥과 같은 이 곳에는　　건달들의 낭만 따위는 사치처럼 보이는데…　　건달들이 개입된 음모와 얽히고설킨 배신 속, 가족과 동생들까지　　점점 더 모든 것을 잃을 위기에 처하는 ‘상곤’.　　그가 마지막까지 지키고자 했던 것은 무엇이었을까

简介：父亲决定献身上帝，入寺为僧，性格内向的小克 (Sandro) 生活一下子失去了支撑与保障。父亲出家，母亲在国外工作，父母的抛弃令这个年轻人踏上了探索自我的旅程，不仅结交了与极右翼暗通款曲的激进分子拉沙，也不断为自己性方面的困惑寻求答案。　　乔治·西哈卢利泽这部处女作颇为敏锐，探讨了观察者和受观察者之间的界限何其微妙。鉴于格鲁吉亚社会仍首鼠两端，一端为宗教保守与民族主义所裹挟，另一端则对独立与现代化充满渴望，因而影片提出了「格鲁吉亚社会在后苏联时期的当下该何去何从」的问题。

简介：Ryan is a womanizing stockbroker whose unethical business practices cost him his job and his trader's license. Unable to find another job, he is forced to move in with his equally self-involved (and completely oblivious) girlfriend, Cindy, an insensitive advice columnist on the cusp of losing her own job due to her poor advice and slow work habits. Finding that the truth behind his moving in has nothing to do with romance, Cindy runs off with another man. Ryan decides to stay in the apartment and earn a living by doing Cindy's job. Ryan establishes himself with Cindy's editor, Page, as Cindy's go-fer, collecting Cindy's paychecks and mail and delivering her columns. Initially as hopelessly inept as Cindy in giving advice, he nearly gets the column canceled. However, he rapidly grows into the job and the combination of forced introspection, research and the growing knowledge that he is touching other people's lives transforms him. The column becomes an amazing success. Ryan finds his initially superficial attraction to Page growing into love, but he cannot reveal his feelings while he is a deceptive fraud. Meanwhile, Cindy becomes aware of her growing fame, and returns to cash in, at the same time that the owner of a rival newspaper chain attempts to force Page to sell Cindy's column to him.

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

简介：有人戏称这部电影是“四个男人的一台戏”。　　影片中基本没有特别引人的情节，没有激烈的动作打斗场面，甚至没有撩人心弦的爱情故事，然而绕有趣味的是，影片除却赢得了1700万观众，还被当时权威电影杂志《苏联银幕》评为1983年最佳影片。　　这样一部既叫座又叫好的影片讲述了前苏联20年代四个青年音乐家组办爵士乐队的故事。在那样一个“火红的年代”，属于“资本主义意识形态”的爵士乐很难被苏联官方接受。出现在影片中几乎所有文化场合的标语“艺术要为劳动人民服务！”是那个时代的典型象征。四个热爱爵士乐的青年就这样不合时宜、一波三折地进行着他们“不可能完成的任务”。　　影片拍摄完成的80年代，苏联人已经开始通过一些“非法渠道”接触西方文化，当时，《巴黎最后的探戈》录像带开始半地下流行，持不同政见歌手的音乐会也几乎场场爆满。因此，在这样一种社会背景下影片中发生的故事立刻能得到观众的认同，主人公们对理想的执着、对自我价值的肯定、对友谊的坚持也让人感觉亲近和鼓舞。　　影片运用幽默诙谐的手法对时代进行嘲讽，用优美的音乐旋律和舞蹈动作打动观众，一个本应沉重的题材得以让人轻松地内省。　　导演卡·沙赫纳扎罗夫、编剧亚·巴拉基杨斯基、摄影弗·舍弗兹伊克构成了一个强力组合， 剧本经过10次修改，人物性格设计上的差异赋予了演员极大的发挥空间。透视片中时代里的个体、音乐里的个性，我们看到一种俄罗斯哲学的智慧。或许有一天，你已经忘记了影片故事的情节，但是某些掺杂着辛酸与甜蜜、沮丧与欣喜的电影画面会在脑海中悄然浮现。　　影片获1984年法国格勒诺布尔国际音乐片电影节评委会特别奖，波兰罗兹国际电影节银奖，并参展1984年伦敦、芝加哥、贝尔格莱德等电影节。

简介：After her sister's murder, Nic, her younger sister and two friends seek solace through a Pacific island kayaking adventure. Hours into the trip the women are stalked by a shark and must band together, face their fears and save each other.

简介：李国强（王志文 饰）和何利英（江珊 饰）是一对结婚多年的夫妻，两人共同抚养着懂事听话的儿子，家庭生活在一片幸福的氛围之中。何利英刚刚学会开车没多久，一天晚上，天上下着瓢泼大雨，何利英驾车驶在路上，撞到了一名行人，慌乱之中，何利英选择了逃跑。当晚月黑风高，没有人知道这场车祸的发生。　　之后的日子里，何利英的内心里背负上了沉重的枷锁，她不忍心让自己的家庭走上破碎的道路，却又时时被道德感和愧疚感折磨。车祸现场出现了一个举着牌子寻找目击证人的小女孩，这个小女孩的出现将何利英的精神推向了濒临崩溃的边缘。李国强发现了妻子的异样，他决定挺身而出，和妻子共同背负她所犯下的罪行。

简介：

　　《庆州》导演张律新作《胶片时代的爱情》（暂定名）已于3月杀青。编剧导演张律，主演安圣基、文素利、朴海日、韩艺璃。将作为2015年第8届首尔老人电影界开幕影片和观众见面。