引郎入室
9.0 |10月12日 |已完结
简介:
冼齐(沈威 饰)在无意之中救了商业大亨丁志雄一命,为了报答冼齐,丁志雄决定雇佣他为自己的保镖。丁志雄的妹妹阿碧对冼齐一见钟情,对他展开了热烈的攻势,这让阿碧的男友头马感到非常的不爽,为了出掉冼齐,头马设计了一个阴谋想要陷害前者,幸运的是,丁志雄的老婆丁太太聪慧的识破了头马的诡计,让冼齐逃过了一阶。实际上,冼齐早已经深深的爱上了成熟温柔的丁太太。  在一次偶然之中,冼齐邂逅了名为欣欣的女子,很快就和热情开朗的她打得火热。哪知道这个女人差点要了他的命。原来,欣欣的叔父是丁志雄的生意伙伴,同时也是不共戴天的仇敌。
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简介:

  奥斯卡(大卫·本奈特 David Bennent 饰)的家庭有些荒诞。他的母亲和自己的表弟相恋,由于近亲不能结婚,所以被迫嫁给了一位商人。奥斯卡是谁的孩子只有他母亲知道。在他三岁生日那天,母亲送了他一面铁皮鼓。奥斯卡十分喜欢,整天挂在脖子上敲。
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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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