大漠赤城

简介：相传民间有一类人，他们能行走阴阳、通晓鬼神，谓之走阴人，小沈师傅沈小寒便是其中的一员。沈小寒秉承师父的遗愿护送师父的骨灰回老家安葬，在归乡的路上途经一户人家，得知此处有一女鬼作怪，主人吴老汉深受其害苦不堪言，吴老汉知晓走阴人的本事，遂请求小沈师傅前来驱鬼……

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　　大宅憩园易主，姚国良一家迁入。良任由亡妻母亲娇纵儿子，继室万婉华虽不满，却束手无策。夫妇俩偶憩园旧主人杨梦痴父子，得悉痴遭遇悲惨，正因童年被溺爱，华趁机促良反省，好好教导儿子。

简介：Omar Lulu, who shot to fame with the surprise hit 'Happy Wedding,' is known to feature new faces in his projects.

简介：健身狂热者Francky近来陷入失恋阴影，其一心想成为网红并破处的死党krimo为了让振作起来提议去泰国著名的芭堤雅“咸湿”海滩散心猎艳。为了省钱，Krimo提议偷偷以小区里侏儒邻居的名义去报名在那举行的侏儒拳击大赛，从而报销机票住宿。于是他们的理想假期就成了一次疯狂的冒险。。。

简介：克里斯沃一家获奖到欧洲旅游，老爸开车边走边撞，肇事不断；老妈迷糊认错人，引火上身；女儿归心似箭，只因男友在家移情别恋，后院起火；儿子正处青春期，两眼不看风景看美女，处处留ccc。跟这一家子赴欧洲旅行，绝对爆笑，不虚此行。

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简介：本片讲述女孩安娜只身来到维也纳寻找男友，租下了一套古老破旧的维也纳公寓。充斥着各种花边的古旧家具，令安娜深感不适并开始不断侵占安娜的生活，老公寓背后的秘密逐步揭晓。　　这部德语短片是由多米尼克·哈特尔拍摄，艺术设计为皮娅·伽罗斯。第16届上海国际电影节手机电影节最佳短片导演奖由于属于维也纳电影学院的毕业作品，全片共耗资近两万六欧元。

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　　何笑笑（汪小茜 饰）、谢雨桐（王晓莎莎 饰）、方玲（王梦婷 饰）和董乐（戴燕妮 饰）是四位刚刚走出校园踏入社会的年轻女孩，怀揣着共同的演艺梦想，她们开始了各自的奋斗。对于外界流传的种种娱乐圈潜规则和黑暗面，四个女孩均有所耳闻，但自信满满的她们深信自己能够“出淤泥而不染”，凭借真材实料获得成功。
　　然而，一个意外事件的发生将四个女孩推向了不同的道路，笑笑天真善良，在几个男人之间徘徊不定又遭到上司性骚扰的她能够守住最后的底线吗？雨桐聪明伶俐，随机应变的性格在未来的道路上令她如虎添翼；方玲自尊的同时又充满了自卑，在金钱诱惑面前，她忘记了最初的梦想；董乐因为单纯的个性而遭人利用，又会有怎样的结局在等待着她呢？

简介：讲述了一位像无根草一样生活着的、一人一剑执杖天涯散发出惊人的强大和性感的新英雄。饰演这位英雄多十郎的是初次动真格地挑战蝮蛇的高良。散发着不可思议的魅力的多十郎，受其照顾、含有隐情的小料理屋女将音世由多部未华子饰演，胸有大志而上京的多十郎弟弟数马由木村了饰演，三人各自怀着不同的想法，与見廻组展开了殊死搏斗

简介：父亲决定献身上帝，入寺为僧，性格内向的小克 (Sandro) 生活一下子失去了支撑与保障。父亲出家，母亲在国外工作，父母的抛弃令这个年轻人踏上了探索自我的旅程，不仅结交了与极右翼暗通款曲的激进分子拉沙，也不断为自己性方面的困惑寻求答案。　　乔治·西哈卢利泽这部处女作颇为敏锐，探讨了观察者和受观察者之间的界限何其微妙。鉴于格鲁吉亚社会仍首鼠两端，一端为宗教保守与民族主义所裹挟，另一端则对独立与现代化充满渴望，因而影片提出了「格鲁吉亚社会在后苏联时期的当下该何去何从」的问题。

简介：Ryan is a womanizing stockbroker whose unethical business practices cost him his job and his trader's license. Unable to find another job, he is forced to move in with his equally self-involved (and completely oblivious) girlfriend, Cindy, an insensitive advice columnist on the cusp of losing her own job due to her poor advice and slow work habits. Finding that the truth behind his moving in has nothing to do with romance, Cindy runs off with another man. Ryan decides to stay in the apartment and earn a living by doing Cindy's job. Ryan establishes himself with Cindy's editor, Page, as Cindy's go-fer, collecting Cindy's paychecks and mail and delivering her columns. Initially as hopelessly inept as Cindy in giving advice, he nearly gets the column canceled. However, he rapidly grows into the job and the combination of forced introspection, research and the growing knowledge that he is touching other people's lives transforms him. The column becomes an amazing success. Ryan finds his initially superficial attraction to Page growing into love, but he cannot reveal his feelings while he is a deceptive fraud. Meanwhile, Cindy becomes aware of her growing fame, and returns to cash in, at the same time that the owner of a rival newspaper chain attempts to force Page to sell Cindy's column to him.

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.