雾人前传
5.0 |2025年12月29日 |片长88 |HD中字
简介:
1978年,死亡峡谷。警官戴维•麦克阿里斯特(David Stanbra 饰)将杀人如麻、残酷血腥的雾人(Ben Gunther 饰)绳之于法,这个作恶多端的噩梦最终死在毒气室里。                                                                      时间回到现在,警长麦克阿里斯特(Robert Pine 饰)即将退休,他的儿子哈里斯(Michael Muhney 饰)则尾随父亲当上了警察。父子二人在六角餐馆用餐时,遭遇了在逃的赌场抢劫犯。双方展开对峙,年轻气盛的哈里斯引起大爆炸,两名劫匪劫持餐馆女招待玛雅(Mircea Monroe 饰)逃亡。在救援部队迟迟未到之时,戴维带着儿子展开谨慎的追踪。不过令双方始料未及的是,似乎有另一个神秘、恐怖的杀手将他们玩弄于鼓掌之中。邪恶的雾人精神不死,重返人间……
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简介:

  大学毕业前夕,李尉国在舍友杨智的帮助下向暗恋的校花刘薇薇表白,刘薇薇虽然有点感动可还是拒绝了他。毕业后李尉国开始了艰难的找工作历程,最后终于进入了一家人工智能公司,因其努力工作做出了出色的业绩。就在李尉国职业发展蒸蒸日上的时候,老同学杨智找到了他,提出一起创业的想法。李尉国毫不犹豫地加入了这场追逐梦想的创业之旅,和杨智、刘毅三人一起合伙开办了直播公司,但是创业前期困难重重,在大学里暗恋李尉国的美丽女孩张小曼在了解到李尉国创业遇到困难后,一人辞掉了自己处于职业发展前景很好的职位,编了一个合适的理由加盟了李尉国刚刚创业的小公司,于是,在张小曼的帮助下公司又开始慢慢有了转机,但是好景没持续多久,因为市场竞争激烈,公司又陷入了主播被其他竞争对手挖走的危机,在危机中李尉国发现了乡村振兴的商机回到老家创业,而同时在知名大直播公司的同学刘薇薇也在机缘巧合下来到了李尉国的老家,李尉国的爱情究竟能擦出怎样的火花呢?创业之路是否一帆风顺呢?在《直播间爱情故事》中就可获得答案。

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简介:乔斯兰(弗兰克·杜波斯科 Franck Dubosc 饰)是一位非常富有的商人,凭借着自己有两个臭钱,他整日流连于不同的女人身边,可谓是万花丛中过,片叶不沾身,女人对于他来说,不过只是玩物而已。  一天,乔斯兰家隔壁新搬来的女邻居吸引了他的注意,为了博得对方的好感迅速拉近距离,乔斯兰伪装成了一名残疾人,哪知道邻居家中竟然有一位真的身患残疾的姐姐弗洛伦斯(亚历山德拉·拉米 Alexandra Lamy 饰)。在一来二去之间,乔斯兰发现弗洛伦斯无论是言谈举止还是处世哲学,都深深的令自己折服,他第一次对一个女人产生了心动的感觉。与此同时,乔斯兰也知道,如果自己装残疾的事情被拆穿,那么他和弗洛伦斯之间的关系就将走到尽头。
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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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