坏男孩

简介：母亲是一个把家里打扫得一尘不染、 为丈夫子女付出一切、追求完美的妈妈，其“美德”的极限发挥，竟是主动杀掉那些对他家人不好、甚至看不顺眼的人，彻底颠覆了贤妻良母及中产阶级的价值。本片运用了黑色喜剧的手法拍摄了一起离奇的连环凶杀案。极具讽刺意味。

简介：二战中的南亚战场，日军施突袭俘虏了四位盟国将军，军方为挽回影响，出重金指派魔鬼上尉段宏（王羽 饰）组建特工队搭救盟友。段宏找来老孙、草上飞、比利以及后加入的雷莉（林青霞 饰）协助。特工队路经烈女族势力范围，段宏中枪坠车，其余人被烈女族当家（郑少秋 饰）下令羁押，一路尾随的江湖拳手二牛（成龙 饰）在雷莉危难时刻出手相助。特工队冲入日军营地，段宏突然现身，引发一场混战。　　导演朱延平在本片中杂糅卓别林的默片表演风格、西部片布景氛围、僵尸电影的桥段以及当时的流行歌曲炮制出这部动作笑闹剧，在当年票房颇丰，同时本片也是成龙与朱延平的首次合作。

简介：幕府末年的海阪藩，下级武士清兵卫（真田广之）在妻子病逝后，以微薄薪俸独自照料痴呆老母和两个年幼女儿，由于每日结束工作后都是匆匆回家从不参加应酬，他被同僚们戏称为“黄昏的清兵卫”。　　与清兵卫青梅竹马的朋江（宫泽里惠）同丈夫离婚回到娘家后，常到清兵卫家代他照顾母亲和女儿，招来不少蜚言蜚语。清兵卫显露高超剑技击退了无理纠缠的朋江的前夫，然而当朋江的哥哥建议他迎娶朋江时，他却因不想让朋江吃苦婉拒了好意，致使朋江自此绝迹于他家。藩主得知清兵卫的才能后，强命他前去处决一名力敌数人据守不出的反叛武士。临行前，清兵卫向朋江表白了隐藏心底已久的爱意，不想对方已经答应另一门亲事，清兵卫黯然踏上生死未卜之途。

简介：该作曾获得「这本漫画真厉害！2021 」男榜第4、第24届手冢治虫文化奖新生奖 等奖项，讲述上了高中的直达准备暂时住在叔父家，他和漫画家叔父、女装占卜师、大学教授、25岁OL，五位怪人男女同居的细腻的故事。

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在一场世纪大地震后，矗立于海中央的“重力墙”将世界一分为二，形成两个不同的时区和重力环境，“优日区”的一天，是“长年区”的一年。长年区长大的薯仔（许光汉 饰）对来自优日区的实习医生安晴（袁澧林 饰）一见钟情，面对时间和地理的巨大阻碍，薯仔和安晴用尽全力双向奔赴，以年思念，以日相见。在失衡的时空里，他们能否坚定地爱到最后，守护这场刻骨铭心的爱恋？

简介：在最新一次激烈战斗取得胜利后，葛叶紘汰（佐野岳 饰）和高司舞（志田友美 饰）决定启程前往位于宇宙深处的蛮荒星球开创新的世界。当他们正一点点实践着自己的梦想之际，神秘的机器生命体Megahex（三木真一郎 配音）突然出现，吞噬了他们的小行星，而Megahex下一个目标正是地球。紘汰试图阻止它的阴谋，无奈遭遇莫大的惨败。奋起迎战的吴岛光实（高杉真宙 饰）及其哥哥贵虎（久保田悠来 饰）也完全不是可怕入侵者的对手。 　　怪盗鲁宾甚嚣尘上，令警视厅特状课疲于奔命。佐鲁克东条（绫部祐二 配音）利用Cyberoid ZZZ强化自己的身体，使实力得到大幅度的提升。他企图借此打败假面超人Drive，将“假面超人”的称号纳入手中。为了保住英雄称号，泊进之介（竹内凉真 饰）陷入苦战，谁知期间竟遭到暗算而丧失了变身的能力。 　　Megahex与Cyberoid ZZZ合体，成为最终...

简介：Follow a group of teens who overcome societal bias and through inclusive fashion design and friendship.

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Two teenage girls, Yin Jia and Tong Tong, live together in this colour-drenched vision of Changsha, China. When Tong Tong drifts away and falls in with a drug dealer, Yin Jia's love for her means she'll risk everything to keep Tong Tong by her side.

简介：1980年比利时的默兹河畔，钢铁厂一家接一家地倒闭，成千上万的工人不得不另谋生路，居住于瑟兰的钢铁工人法布里斯也未能幸免于难。原本以丰富的钢铁知识和精湛的业务水平引以为傲的他，觉得自己仿佛一夜之间成了身无一技之长的废人，从此一蹶不振。深爱他的妻子席琳为了帮助丈夫振作起来做了各种努力，却仍换来他的不告而别。对丈夫的爱使她始终不曾放弃寻找，然而这份爱又能否拯救那个心如死灰的男人？

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简介：讲述的是宅男王凯撸管猝死后来到天堂中转站,进入天界网咖,私闯网咖禁地。在无意中摧毁了天界直播系统,阴差阳错重返人间,落地点恰好是他的高冷女上司——安迪的浴室,并在无意间看到了安迪正在洗浴的背影。因系统故障的原因,王凯在人间的生活不能离开安迪超过7.2米,否则会产生一系列怪异举动,甚至可能从此消失。为了在系统恢复后能安然无恙的回到天堂,王凯迫不得已对安迪展开了各种死皮赖脸,穷追猛打式的追求,以求留在她身边。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.