零落

简介：在寻找珍宝山羊塞拉缇娜时，两名笨手笨脚的警官遭遇危险罪犯，面临超乎自己能力之外的难题。 主演

简介：

　　围绕苗族芦笙展开故事的影片，是一部融合喜剧、励志、音乐元素的少数民族风格电影。影片中，苗族“金芦笙”世家的独子陶天益被父亲寄予厚望，希望他将“金芦笙”的荣誉继承下来。但天益却有着自己的音乐追求，在经历选秀失败后，巧合之下成为“网红”。最后与乐队的对决中，天益静下心来，感受着自然万物的声音，最终吹响了苗家的神曲《凤凰展翅》。

简介：退休中学教师神尾英一被人杀害，即将于两个月后结婚的女儿神尾真世（有村架纯 饰）在得知父亲突然离世的消息后，返回了自己的家乡。然而，这座小镇自疫情蔓延以来，已失去了往日的活力，游客稀少，气氛沉寂。深受学生们爱戴的教师英一，究竟为何遭人杀害？渴望揭开真相的真世面前，出现 了一位神秘的男子——她的叔叔神尾武史（福山雅治 饰），一位曾在拉斯维加斯享誉盛名的前魔术师…… 本片改编自东野圭吾的同名小说，讲述了主人公以观察人类和诱导审问为武器，和侄女一起解决疑难事件的故事。

简介：A skilled magician recruits an unlikely team for a daring heist to acquire a valuable gem. As they navigate their intertwined histories and escalating stakes, they must master deception, confront vulnerabilities.

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 解放军某部三连指导员宋春阳从政治干校毕业了，他与带着孩子来探亲的爱人曲素珍一同返回部队。一到部队，他就遇到了一件棘手的事，派谁去参加上级举办的参谋集训队问题，连里存在着两种截然相反的意见：支部和大多数同志认为，应按上级规定，派德才兼优的一班长马小宝去；而团政委姜本正和个别连干部，却主张让王副军长的儿子王天明去。是顺从上级的意图派王天明去，还是坚持原则派马小宝去。宋春阳心灵上展开了激烈的搏斗，姜本正是王副军长的老部下，而宋春阳曾给王副军长当过警卫员，这些关系使事情变得复杂了。战士们都在盯着看。宋春阳本着实事求是的原则，广泛征求战士们的意见，重新召开支委会进行研究，决定先送马小宝，政委姜本正大为恼火，他以转业来要挟宋春阳，姜的爱人也找到曲素珍，让她劝劝宋春阳，并为丈夫和自己的处境流下了眼泪。而对不正之风的强大压力，宋春阳陷入深深的忧虑，如满足姜本正的要求，不仅送了人情，自己提职家属随军的问题都能解决。但他想到自己是党员，要维护党和群众的利益。曲素珍被丈夫坚持原则的行为所感动，战士们也为他因此被转业而愤愤不平。马小宝也被指导员感动了，决定放弃学习的机会。王天明在食堂门前贴出诬蔑马小宝有生活作风问题的小字报，宋春阳对他进行了批评，王天明恼羞成怒，竟动手打伤了宋春阳。王副军长得知后，极为愤慨。他赞扬和支持了宋春阳，严厉批评了老部下姜本正和儿子王天明，并要求组织予以严肃处理。马小宝终于被派往参谋集训队学习了，连队的同志们，包括王天明在内，都来为他送行。

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一个关于爱、渴望和归属感的故事，植根于分裂时代的移民。考察记忆、怀旧以及与家和亲人的情感联系，探索过去如何塑造身份并维持几代人的人类精神。

简介：一群朋友在偏远寺庙中偶然发现一个古老的棋盘游戏。一旦骰子掷出，复仇的灵体便被释放，游戏化为致命的陷阱。为了生存，他们必须在成为下一个受害者之前，找到结束游戏的方法。

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 影片讲述迈克尔·杰克逊在音乐之外的人生旅程，从他以杰克逊五人组主唱之姿被发掘出惊人天赋的那一刻起，直到他成为一位极具远见的艺人，他以无穷无尽的创作能力激励自己成为全世界最伟大的娱乐巨星。 这部电影同时呈现迈克尔·杰克逊舞台之外的真实人生，并且重现他早期个人演艺生涯中最具代表性的经典表演，这部电影为观众提供最贴近的视角，以前所未见的方式窥探这位流行天王的内心世界。他的故事就此展开。

简介：A rural fireman discovers that a secret particle collider has opened a portal to hell.

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 爱尔兰，Redmond Barry(瑞安·奥尼尔 Ryan O'Neal 饰）从小和母亲寄居在舅舅家，后来爱上了他的表姐Nora。Nora的父亲却想把她许配给一个英格兰将军John Quin。于是Barry向Quin提出决斗，决斗中Barry射中了Quin，误以为将他杀 死了，匆忙逃离家乡。路上他遭遇抢劫，走投无路只能加入英国军队。在军队中他才得知，其实Quin并没有死。Barry从英军中出逃，却加入了普鲁士军。战争结束后他成了普鲁士军官Potzdorf的心腹，更让他去监视一个在普鲁士的爱尔兰间谍。Barry却和这个爱尔兰骑士惺惺相惜，爱尔兰骑士带他出入赌场，收获颇丰。Barry觉得自己应该找个有钱的女人，于是盯上了Lyndon爵士的夫人Lady Lyndon。Lyndon爵士病重身亡，一年后，Barry和Lady Lyndon结婚，也成了一名贵族，改名为Barry Lyndon。但Lyndon爵士和Lady Lyndon的儿子Bullingdon却十分不喜欢Barry，Barry也预感到自己的未来将会毁于Bullingdon手中.....

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　　在女友何薇生日之际，李思硕因贪玩游戏而迟到，并且全然忘记了这一重要日子。何薇一怒之下决定分手。对此十分懊悔的李思硕只能去借酒消愁，回学校的路上李思硕偶遇天庭神仙值日功曹，并得到一把可以让时光倒流的宝扇。于是李思硕便展开了自己爱情的救赎之路，令他没有预料到的是无论自己如何努力，两人都没有一个幸福的结局。最终李思硕明白了，自己和何薇注定缘尽今日，自己越是想要改变情况只会变得更加糟糕。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.