影片真实取材湘西三邪——落花洞女,湘西腊尔寨每年必须向山神献祭一位妙龄少女,否则全村就会陷入诅咒,怪事频发…桂家的女儿桂彤不幸被魑魅选中,朗德和祁峰同时深爱着桂彤,新婚之夜他们能否成功解救心爱之人?村中诅咒又将如何破解~
河畔的绿茵丛中静静伫立着一张长椅。某个黄昏时分,这对久别重逢的青梅竹马在狭小的座椅上并肩而坐。他们交换着欲言又止却饱含温情的话语,细碎的话语间流淌着难以言明的微妙情愫。 这张承载着故事的长椅见证着人间百态:谈分手的情侣遭遇醉汉搅局,离家出走的姐姐与追寻而来的妹妹在此相逢,市政厅职员正谋划着拆除这座承载记忆的公共设施。 本片以一张长椅为原点,用多线交织的长篇叙事捕捉当代都市人稍纵即逝的生命片段,在方寸之间勾勒出浮世众生的情感光谱。
Two codependent best friends become addicted to the heroin-like touch of an alien narcissist who may or may not be trying to take over the world. Writer and director Addison Heimann’s second feature film is provocatively comedic, inventive, and insane in the best possible way. An ode to the deliriously stylistic lens of Japanese cinema in the ’60s and ’70s, Touch Me dares to “go there” with its themes of mental health, desire, and Hentai-infused sexual abandon. Olivia Taylor Dudley sinks into character to portray a fractured and wandering human being in desperate need of a life-affirming touch, while Lou Taylor-Pucci’s tracksuit-clad alien persona is played to delightful perfection. Jordan Gavaris and Marlene Forte round out an impeccable cast of far-out characters who manage to be at once acrimonious yet relatable. The end result is a weird, wild, and frenzied fever dream with so much to unpack. While we may not be able to relieve ourselves of self-doubt, deep-seated childhood trauma, and debilitating anxiety with the simple touch of an extraterrestrial being, maybe life isn’t so bad after all?
1929 年,苏联。飞行员因诺肯蒂·普拉托诺夫 (Innokenty Platonov) 是飞机设计师茹科夫斯基 (Zhukovsky) 的学生,在没有证据的情况下被指控谋杀线人扎雷茨基。普拉东诺夫最终来到了索洛维茨基集中营,在那里他无意中成为了人体冷冻实验的参与者。将近一个世纪后的 2025 年,杰出科学家康斯坦丁·盖格 (Konstantin Geiger) 在圣彼得堡附近的一个私人实验室中解冻了他。奇迹般地活下来的普拉东诺夫正试图恢复正常生活,但在这条道路上等待着他的巨大困难。