复仇者联盟3：无限战争

简介：An old storyteller tries to convince her grandson that Death no longer exists. Her story will bring back to life the extraordinary people who, by using incredible tricks, will eliminate Death that threatens them.

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　　二十世纪四十年代，丢失于清朝光绪年间的十二生肖像中的其中三面在民间出现。广州不法古董商莫云天就私藏其中的蛇面像，只要找到猴面像和虎面像后，就可以高价卖给英国商人而获取暴利。
　　为了不让三件国宝流出国外，文物局侦察员马成和爱国义士金祥一直暗中跟踪私藏猴面像的通缉犯韩奎。韩奎的猴面像在广州车站被莫云天抢走后不久，莫云天就通过盗掘古墓找到了虎面像。正在莫云天喜庆之时，刚到手的虎面像却被韩奎暗中劫...

简介：影片改编自同名畅销童书《Clifford the Big Red Dog》，讲述在纽约，小女孩Emily Elizabeth（达比·坎普 饰）得到了一条小狗，这只名叫克里弗的红色狗子乖巧可爱，成为了在学校不合群、孤独的她的好朋友。但狗狗慢慢长成了庞然大物，被一家生物基因公司看上了，Emily和叔叔Casy（杰克·怀特霍尔 饰）必须带着它逃开贪婪之人的追捕。

简介：The intertwined lives and loves of three highly-ranked athletes striving for the national team; Chris bounces between the beds of male coach Terry and her female friend, competitor, and role model Tory

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简介：一名前汽车走私者被迫在三个小时之内将一名官员的女儿带到要绑架她的人面前——不然她的家人就将承担后果

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　　天欣外事职业高中学生林奇是个聪明的男孩，保龄球打的帅，鸡尾酒也调得好，他就要毕业了，可实习的饭店竟是他爸爸工作的地方。 在妈妈的参与下，他与爸爸达成“协议”：在饭店里他们父子俩装做素不相识。 实习开始了，一心想当模特的杨美妮居然没来，找了个打工妹陈小妹冒名顶替，她干活踏踏实实，能吃苦、肯用心，同学们也就不捅破，认可了她。 饭店最近不景气，听说外方董事长劳格斯要来，王经理忧心忡忡。一天果真来了位叫劳格斯的珠宝商，王经理认定这是微服私访的董事长，让大家好生服侍，待为贵宾。同天到饭店的还有个华裔老太太李碧云，她像是故地重游，对饭店的样样事都上心打听。 珠宝商丢了一包珠宝，正巧那天是陈小妹当班，饭店怀疑她，又发现她是冒名顶替的，就“炒了她的鱿鱼”。 李碧云告诉林奇，从前她在这饭店吃过一道名菜叫“百川归海”，可现在没有了。 一日林奇在家中无意中发现爸爸以前得了许多奖状，原来爸爸是有名的厨师，是“百川归海”的创造者，后来手受了伤，才干起了清洁工。 同学们发现珠宝商有梦游的毛病，珠宝是他自己梦游时藏了起来，陈小妹是清白的。 李碧云终于公开了身份；她是外方的董事长，她看到实习生们的出色表现，加强了继续合作下去的信心。陈小妹也破例进了职业高中。

简介：因为一次灵异的播出事故，电台风头正劲的新锐主播李小燕被分配至了收视率垫底的栏目。同年大三实习男生谢特被分派到“午夜漫谈”广播频道，跟着师傅李小燕实习。一次巧合谢特偶然在地下档案室发现电视台的神秘档案，里面记录大量不为人知的神秘新闻线索，李小燕为挽救自己节目的收听率，和谢特一起对一系列事件展开调查。

简介：2001年阿根廷社会动荡的盛夏，布宜诺斯艾利斯郊区的三个少女闺蜜，都对发小迭戈暗藏情愫。迭戈与成熟女性西尔维娅相恋后，少女纳塔莉亚在祖母的帮助下，对二人施下黑魔法诅咒。失控的诅咒引发超自然灾难，将所有人拖入采石场湖的黑暗深渊，青春期的嫉妒与欲望，在南美社会的创伤背景下，演变成一场无法逆转的致命危机。

简介：Lebanon, 1982. To keep a promise made to an old friend, Georges, an idealistic theater director, travels to Beirut for a project as utopian as it is risky: to stage the play Antigone on the front line, in order to steal a moment of peace from the raging civil war. The characters will be played by actors from different political and religious camps. Lost in a city and a conflict he knows nothing about, Georges is guided by Marwan. As fighting resumes, everything is soon called into question, and Georges, who falls in love with Imane, has to face up to the reality of war.

简介：彭发监制，由优酷、年轮映画出品，垂棘影业联合出品，系列电影

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.