弗兰肯斯坦计划

简介：从看到艾丽莎（乔伊·劳伦·亚当斯 Joey Lauren Adams 饰）的第一眼起，霍登（本·阿弗莱克 Ben Affleck 饰）就知道自己在劫难逃，可接下来的消息对霍登来说无疑是一记噩耗，漂亮开朗的艾丽莎居然是一个完完全全的女同性恋者。得知了死党的遭遇，班克（杰森·李 Jason Lee 饰）为此十分打抱不平，他告诉霍登他的恋情并没有走入绝望的境地，并且表示愿意在此方面助他一臂之力。　　随着时间的流逝，艾丽莎和霍登之间产生了真挚的感情，一段良缘眼看着就要结成，这时的班克才发现自己内心中充斥着的竟然全是负面的感情，他并不希望霍登能够得到艾丽莎的垂怜，而他和霍登之间的友谊也开始出现了裂痕。

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　　女警与酗酒丈夫闹离婚。某夜，女警交通肇事撞死丈夫后逃逸。第二天得知曾经酗酒的老师，成为撞死丈夫的替罪羊。法医发现女警丈夫被撞两次的事实，但选择隐瞒事实。女警不忍老师定罪并被开除公职，决定自首认罪。

简介：无名（张家辉 饰）从小就无父无母，幸亏得到舅舅罗四海（王晶 饰）收留，无依无靠的无名自小就没人管，经常流连街头赌档，练得了一身精湛赌术。罗四海发现了无名的绝技，于是带着他与两个小弟阿骏（黎骏 饰）和贱男到深圳设局骗钱。四人在深圳行骗时得罪了本地老大猛哥（龙方 饰），在猛哥面前无名凭借一手绝活博得赏识四人才得以解围。　　回港后无名邂逅了一个盲人女模特苦儿（舒淇 饰），阿骏看出了无名的心思，向他保证能帮助追到苦儿，条件是传授他赌术。无名爽快应承了。猛哥来港找到了无名，逼他用赌术为他赚钱，无奈之下无名只能答应。岂料阿骏赌术学成后，乘机打盲了无名，在猛哥那里取代了无名的位置。无名最终命运如何？

简介：两千多年前，秦始皇派手下徐福东渡蓬莱仙岛，想要寻得长生不老的秘诀。没成想徐福竟真的在蓬莱仙岛找到了长生不老之术-长生诀，可惜徐福还没来得及完全参悟其中奥秘，就遭属下背叛，被秘密杀害了。相传，长生诀随着徐福的死，一起被埋葬在了地下，而徐福的埋葬之处，至今仍是一个千古未解之谜。　　其实，当时长生诀的确与徐福一起被埋葬了，为了不让长生诀的复苏引来更多人间杀戮，一灵力极高的守护人一直在默默守护着徐福的墓地，阻止一些贪图永生企图破坏世间平衡的人找到长生诀，这个神秘人就是陈奕然。轮回不止、不死不灭的守护着长生诀的秘密，便是陈奕然的宿命。陈奕然也欣然接受自己的命运，人世间一切事物在他看来不过是过眼云烟。直到有一天，一个叫顾小曼的姑娘偶然闯进了他的生活，陈奕然犹如冰封一般的心，开始慢慢融化。　　画面一转，一切回归了现实生活。原来，上面发生的所有故事都是漫画家顾雁秋最新作品《少女侠》所讲述的情节，《少女侠》的核心是讲一个可爱善良的姑娘，为了所爱的人，从犹豫退缩到勇敢面对内心的一系列变化。可现实中的她与故事中活泼勇敢的女主却截然相反。

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　　本片由珍妮佛皮顿导演操刀，讲述着珠穆朗玛峰的夏尔巴人在2014年4月18日发生的致命雪崩夺走16位夏尔巴同胞性命后，如何团结走出伤悲，更誓言要夺回属于他们的圣山。
　　这是一部非常撼动人心的电影，带领我们前往从来没有去过的地方，实际深入夏尔巴人的生活，真正认识这群让攀登珠穆朗玛峰成为一种文化的当地人。

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以2023年辛芷蕾第三十场出演独角戏话剧《初步举证》为倒计时，记录辛芷蕾为了准备话剧全情投入排练的一个月时间并最终登上舞台的各种事件，并穿插了不少话剧排练彩排片段等。在舞台上这是话剧角色泰莎面对困境如何为自我发声和自我成长；在舞台下和排练厅里，辛芷蕾不仅完成了自己一个影视演员到一个舞台剧演员的转变，更是在排演话剧的过程中完成了对自我的挑战、成长和认可。 这不单单是一个女演员走出舒适区，实现自我成长的故事，更是一个普通女性在面对困难如何挑战和突破的故事，更是给予观众启发，在遇到困境或是自己最害怕的事的时候是选择逃避？还是直面困境的应对、勇敢为自己发声。

简介：At the end of his rope, a newly redundant office drone (Nathanael Chadwick, THE LAST PORNO SHOW) takes a rideshare driver job, but the gig isn’t making ends meet, and he’s missing bill payments, avoiding calls from his landlord, and not spending time with his partner and new baby. Days of frustrating bookings, from bickering couples to puking party girls, reach a boiling point....

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该音乐会活动由剧集主角Erika Henningsen主持，于纽约著名的Majestic Theater举行。音乐会现场将演绎《Hazbin Hotel》第一季和第二季的热门歌曲，表演者包括Erika Henningsen、Blake Roman、Amir Talai、Christian Borle、Jessica Vosk、Jeremy Jordan和Krystina Alabado，特别嘉宾包括Stephanie Beatriz、Kimiko Glenn、Vivienne Medrano、Sam Haft和Richard Horvitz。

简介：厮杀过后。狂怒帮的新头目开始统领这支残暴又强大的黑帮，并将目标转向了境外。

简介：一个男孩要开始学着面对父亲缺席的人生。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

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