再生之乐
2.0 |06月15日 |HD国语
简介:
欢欢生活在一个富裕的家庭,她的爸爸(闫霖飞 饰)是广告公司的老板因获了一个奖不愿意接小活,公司已经有半年没有接活了,整天就和客户吃喝,多次需要靠家里和老婆(陈昊明 饰)来救济。欢欢的妈妈在公司是一个女强人,在这样的情况下家里的父母关系面临危机,欢欢的爷爷奶奶看到此情况非常的着急想要拯救他们的婚姻,于是找到算命师,算命师给他们出了一个主意:只要让家里的儿子和儿媳妇多生了一个孩子就可以拯救他们的婚姻。于是欢欢的爷爷奶奶就想了一个办法:装病,癌症晚期最后的愿望就是希望他们能够多生一个孩子,于是展开了一系类的行动,丈夫李强和公婆都要求再生一个,可老婆春兰就是不同意,后来春兰勉强答应再生一个,却要求李强遵守“约法六章”。戒烟戒酒,李强我行我素,春兰通过逆境改造李强,两人和好,欢欢的妈妈一直喝着欢欢的奶奶给的汤药却不见成效,就在欢欢的生日时候大家早已把这件事情给忘了,却得知欢欢的妈妈怀孕了,一开始欢欢很开心,但是后来她担心弟弟出生爸爸妈妈就不会再爱她了。后来想不开在家人的极度劝说下,一家人走向幸福。
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1.0
HD中字
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更新时间:10月14日
主演:安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特
简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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