在自己深爱的父亲去死之后，9岁的乔伊发现自己处于一连串怪象之中包括心灵遥感，来自坟墓的电话还有险恶的口技长演者假人的残酷杀人本能但是相关部门到远调查乔伊的怪象的时候他释放出超自然的恐怖能量，科学家们对此无法理解而东手无策…只有这个小男孩有希望能让一切停止....
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae
1963年是人口学意义上中国第一次“婴儿潮”，当年出生了近三千万人。当下，这批“婴儿潮”期间出生的人，即将退休，也标志着中国社会的老龄化将开启加速模式，预计到2035年进入重度老龄化社会。 纪录片《前浪》以此作为契机，将镜头对准老年人，通过长时间的跟踪拍摄，形成《不老爱神》《爱人》《明天会更好》《监护人》《母亲写作计划》《洗澡》《顺水行舟》7集内容。影片记录了这群老年人所遭遇的爱与痛，揭示了老年生活的真实图景，也是上海这座重度老龄化城市的一个切面。我们希望用一个个鲜活的人物故事去解答，去缓解公众对老年人的刻板印象，从而可以把老年人当成一个“人”来看待，这是一个文明社会的良心，也是《前浪》这部纪录片的初衷
