狱中龙

狱中龙

HD国语版

9.0 |06月15日 |HD国语
简介:
富家子弟张荣日(何家劲 饰)因冲动犯事儿进入劳役中心服刑,他老实内向,对道上规矩更是一窍不通,因此饱受虾毛等人欺负,在此期间他结识了颇讲义气的阿豪(刘德华 饰),二人成为莫逆之交。此后他们洗心革面,齐心向学,更通过了中学会考。出狱后,身份不同的两个人也自然走上不同的人生路。荣日飞赴英国,研读法律;阿豪则因家境贫苦,终日为生计奔波,却当年的仇家马超追杀,最终被迫随虾毛遁入黑道。  日光荏苒,转眼6年过去。荣日学业有成,顺利归国。阿豪也在腥风血雨中拚杀出自己的一片天空。适值此时,马超设计陷害阿豪,这也促使分处黑白两个世界荣日和阿豪站在同一法庭上。只是时过境迁,个中滋味谁人知……
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简介:

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主演:安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特
简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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