追男仔
4.0 |06月15日 |正片
简介:
吴汉中(吴耀汉 饰)早年丧妻,独立抚养4个孩子:小东(林青霞 饰)、小南(张曼玉 饰)、小西(邱淑贞 饰)还有小北(林志颖 饰)。汉中的好友突然因病死亡,他感到生命的无偿,因此他想在有生之年可以看到孩子们成家立室,于是假扮绝症让女儿们带着男朋友回家。还是独身的女儿们只好找人假扮男友。小东找到一名男妓谢晒(梁家辉 饰),小南找到了一个黑社会的小混混(张学友 饰),小西找到的则是一个清纯男(郑伊健 饰)。这时汉中以前的女友(吴君如 饰)得知汉中的身家斐然又罹患癌症便想成为他的妻子,众儿女都看到她的面目,只是顾及父亲的时日不多。而她们也对各自的假男友,产生了真感情。
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《猛鬼3宝》结集三个都市猛鬼故事。《猛鬼监狱》讲述本地灸手可热的影星明乐(凌文龙饰),除了因为演出代表正义的“狱中神探”一角闻名,亦是出了名的喜欢饮醉酒开工。一日明乐又饮至醉醺醺才开车往山旮旯的片场拍夜戏,谁知在路上撞死了人!明乐惊慌之下决定肇事逸逃,到达片场后,他才发觉今晚拍的是一场监狱闹鬼的戏,而和他演对手戏的“女鬼”思思(钟雪莹饰)竟然是……《猛鬼工厦》讲述阿君(苏致豪饰)是一名的士司机,他的女朋友乃瑶(郭奕芯饰)一直嫌弃阿君揸的士,阿君为挽回感情,打算和乃瑶去Staycation让她可以在姊妹前炫耀一下,但阿君只够钱订了一间位于工厦内的Partyroom,令乃瑶生气得正式提出分手。正当乃瑶要一走了之,一阵阴风吹过,自此乃瑶像变了另一个人,对阿君温柔体贴,两人重拾当初激情,在和乃瑶连场激战多个晚上后,阿君日渐憔悴,朋友肥乜(许贤饰)怀疑阿君撞鬼,决定替天行道,和这只专吸阳气的“淫鬼”决一死战。

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主演:安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特
简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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