恶棍父亲

简介：

　　一个年轻的，梦想成为芭蕾舞演员的乡下女孩的故事。通过艰难而富有挑战性的历程，她实现了目标。凭借才华、熟练、耐心和决心，她成功的达到了芭蕾的顶峰，成为了莫斯科大剧院的首席芭蕾舞演员。

简介：繁华的街道，穿梭的人群，只有在夜晚才能慢下来。我叫做灿，是一家酒吧的老板，这里也是我的家。在这里我遇到了形形色色的人，听到了许许多多的故事，很多人问我为什么这么沉默，因为我喜欢聆听。每个人都有属于自己的故事，就像水一样，里面有我最珍贵的回忆，如果能做到的话，什么酒都愿意为您调。喝的不是味道，而是喜、怒、忧、思、悲、恐、惊。

简介：20世纪70年代初的北京，忙着“闹革命”大人无空理会小孩，加上学校停课无事可做，以军队大院男孩为突出代表的少年人便自找乐子，靠起哄、打架、闹事、拍婆子等方式挥霍过量的荷尔蒙。马小军（夏雨 饰）就是这样的少年，他的嗜好之一是趁别人家无人用万能钥匙将其锁打开，溜进去耍玩一番，正是用这样的方式，少女米兰（宁静 饰）的照片先于其人入了马小军的双眼。通过院里的“头儿”刘忆苦（耿乐 饰），马小军又见到之前在炮局偶然瞥见过一眼的米兰，开始正式将其当作梦中情人，然而在米兰眼中，马小军不过是毛孩一个，她中意的人是成熟、稳重、帅气的刘忆苦。自此，马小军迎来五味混杂的青春期生活。　　本片改编自王朔短篇小说《动物凶猛》。夏雨凭此片获得第51届威尼斯国际电影节最佳男演员（银狮奖）。

简介：将軍家斉の庶子片桐高之は、母松女の野望に駆り立てられ次期将軍の座を狙っていた。ある日高之は新刀の試斬りに川原で飢饉で地方から避難して来た百姓の老人を斬り殺した。ちょうどそこを通りかかった狂四郎は、それを目撃するが、老人の仲間からは誤解されて憎しみを受け、また高之からも狙われることになった。そんな狂四郎はある日、高之の使の腰元小波の迎えを受け川舟へ案内された。そこで狂四郎は仕官をすすめられ、さらに愛刀無想正宗を所望されたが、狂四郎はこれを拒絶し、高之側近の剣客戸田の右腕を斬り落して立去った。小波は豪商山崎屋伝右衛門の娘で、伝右衛門は小波に未来の将軍御台所の夢を托し、高之に経済的な援助を与えていた。そんな小波を高之も愛し、妻に迎える約束を交していた。一方狂四郎は高之の邸に忍び入り、小波を寝室に襲って犯した。憎悪に燃える小波は片桐家に恩義をこうむる剣客寄居勘兵衛を狂四郎の許へ送った。しかし狂四郎は勘兵衛の人物を惜しみながらもこれを斬り倒した。さらに高之は死刑囚むささびの伴蔵を釈放して狂四郎を倒そうとした。伴蔵の手裏剣と高之配下の剣士たちの殺陣をきり抜けた狂四郎は、そこで憎悪に燃えた小波を見た。一方高之のために試斬りにされた老人の忰太十は、復讐のために小波をさらったが、それを知った高之のために逆に捕われの身となってしまった。駆けつけた狂四郎は太十の命と引換えに無想正宗を高之に与え、自ら捕われの身となった。しかし狂四郎を憎みながらも女として愛すようになっていた小波に刀をもらった狂四郎は牢を脱出して向柳原の橋上で高之と対決した。狂四郎の剣が円を描き、その足下に高之はくずれ落ちた。

简介：

　　A family's perfect Christmas reunion is upended when old rivalries, secrets, and romantic mix-ups come to a head.

简介：In this modern creature feature, a scary internet meme called Grimcutty stirs up panic amongst all the parents in town, convinced it's making their kids harm themselves and others. When a real-life version of Grimcutty starts attacking teen Asha Chaudry, her parents believe that she's cutting herself as part of a challenge. With her phone taken away and no one who believes her, Asha has to figure out how to get through to her parents and stop the Grimcutty once and for all.

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

简介：法国《电影手册》2018年度期待榜单重点推荐影片之一，影片采用16mm胶片拍摄，具有极致的迷幻色彩，影像超级大胆，故事讲述5个热爱艺术的“野小子”的罪恶之行，让人想到库布里克的《发条橙》，而这5位“野小子”则正由5位女演员“扮演”，涉及到了不少情色元素，探讨了性别结构。

简介：该片讲述了毛泽东在中南海菊香书屋工作生活时，和他的卫士马仙奇之间的故事。

简介：

　　一天哈里宿醉回到家后发现一直陪伴他的心爱狗狗朱莉被杀害了。哈里痛不欲生立誓不惜一切代价追凶为狗报仇。在全副武装后，他和好基友一起走了上疯狂的复仇之旅，他们先后去了公路酒吧、民宅“拷问”，甚至大闹婚礼现场，酒吧老板伊利亚·伍德被这对好基友一枪崩了，克里斯汀·韦格好不容易从“伴娘”升级为“新娘”，美好的婚礼也被两人给闹了，但经历过伴娘战役的克里斯汀·韦格可不是好惹的，瞬间粗鲁附体，对奥斯卡口沫相向……这漫长的公路之旅的最后他们是否复仇成功已经不再重要，对观众来说，看他们一路留下了血腥的破坏才是趣味所在。

简介：

简介：倒楣男子傅根在路邊發現一具屍體，到警局報案協助調查，不料竟成為兇案主嫌，吹毛求疵的警探不肯放過任何一個細節，逼得傅根只好不斷回想，將那晚發生的雞毛蒜皮小事都一五一十地娓娓道來。漫漫長夜，偵查持續進行，但各種意想不到的荒謬怪事，卻在警局接連發生，眼見不為憑，揪竟警探是否能一窺真相天機？　　法國荒誕喜劇奇才昆汀杜皮爾繼《超能輪胎殺人事件》等片後再次出招，這次與比利時影帝貝諾特波爾沃爾德聯手出擊，大玩觀點敘事手法，顛覆觀眾對類型的預期心理，開創懸疑風意識流黑色喜劇。超現實元素不斷侵襲電影中的故事空間，還來不及困惑，幽默嘲諷的對白又適時笑岔出題。在有限空間中，演員表演激盪火花，不到電影最後一刻，絕對猜不透它的最後一張底牌。