狼王

简介：2016年的《武力2》是2011年的《武力》的续集，主角继续是Yashvardhan。不过故事情节发生大的变化。影片开始部分就展示了印度在中国上海、广州、北京的特工都被干掉了？印度警察总部赶紧查，发现杀手绝对是熟悉印度特工内部信息的人干的，但是一直查不到疑犯。找到的嫌疑人现实是一个孤儿，显然没有条件实施犯罪行为。经过Yashvardhan的不懈追查，发现嫌疑人一直冒用孤儿的名字，其真实身份是某特工的儿子。当年该特工因为暴露而被灭口，后来还被印度政府视为叛徒，其妻子因为忍受不了叛徒家属的标签自杀。嫌疑人网络了很多类似特工的人，向印度政府发动的报复。

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简介：Hamid’s (8) father has gone missing. His mother Ishrat has turned indifferent towards Hamid and the entire world after the incident. Neglected and lonely, with a heart searching for answers, Hamid star gazes in the hope of meeting his father. The number 786 always bewildered Hamid. One day a teacher tells Hamid that this is God’s number. Using his father’s old mobile phone, after trying different combinations, he finally manages to connect to a person, who he is convinced is God. On the other side is Abhay, a hard-knuckled CRPF Jawaan. Hamid’s phone call, though surprising at first, intrigues Abhay who engages in humouring Hamid. These two, unknowingly and unintentionally, change each other’s world for the better.

简介：在一场死亡率不是1%，而是98%左右的疫情之后，艾莉离开了她的街区，到了一个新的城市，在那里她遇到了奎恩，一个对新世界有独特生存之道的人。

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　　138亿年前宇宙的故事有了开端，仅银河系就有数千亿颗恒星，而我们生活的太阳系行星渺小如尘埃，不为人知的行星故事在过去40亿年中华丽上演。随着人类观测技术的不断进步，宇宙飞船带领我们探索各个行星，此部纪录片用独特的拟人化手法解构八大行星的故事，并结合最先进的科技视觉化呈现。

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　　An undercover cop teams up with a martial-arts expert to stop a gang of drug smugglers and car thieves.

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大唐天宝年间，曹家村世代守护着一柄镇村宝刀。曹叔公欲将守刀人之位传给弟子，却左右为难：大弟子文远志大才疏，实力不足；二弟子文武沉稳可靠，却突患手抖之症，难以持刀。与此同时，各方势力早已对宝刀虎视眈眈，外有混混贼人明抢，内有村长暗中设局，宝刀甚至一度遭人调包。在种种艰难险阻之中，文远与文武将如何识破阴谋？他们又能否守住这柄世代相传的宝刀与家族使命？

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《猛鬼3宝》结集三个都市猛鬼故事。《猛鬼监狱》讲述本地灸手可热的影星明乐(凌文龙饰)，除了因为演出代表正义的“狱中神探”一角闻名，亦是出了名的喜欢饮醉酒开工。一日明乐又饮至醉醺醺才开车往山旮旯的片场拍夜戏，谁知在路上撞死了人！明乐惊慌之下决定肇事逸逃，到达片场后，他才发觉今晚拍的是一场监狱闹鬼的戏，而和他演对手戏的“女鬼”思思(钟雪莹饰)竟然是……《猛鬼工厦》讲述阿君(苏致豪饰)是一名的士司机，他的女朋友乃瑶(郭奕芯饰)一直嫌弃阿君揸的士，阿君为挽回感情，打算和乃瑶去Staycation让她可以在姊妹前炫耀一下，但阿君只够钱订了一间位于工厦内的Partyroom，令乃瑶生气得正式提出分手。正当乃瑶要一走了之，一阵阴风吹过，自此乃瑶像变了另一个人，对阿君温柔体贴，两人重拾当初激情，在和乃瑶连场激战多个晚上后，阿君日渐憔悴，朋友肥乜(许贤饰)怀疑阿君撞鬼，决定替天行道，和这只专吸阳气的“淫鬼”决一死战。

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　　A loner struggles with childhood tragedy. Seeking refuge, he immerses himself in martial art films. A life changing moment releases unknown abilities, taking him closer to solving the mystery of his past. But the truth will come at a cost

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　　Marcello Hernandez: American Boy. Only on Netflix January 7.

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　　影片讲述威震江湖的“冷血刀客”寒月刃（李炳渊 饰），因一饭之恩重返枹罕镇，而此时的枹罕镇正遭受强权恶霸的欺凌压迫，寒月刃决定出手相助，却惊觉人性中的软弱与恐惧远比暴力更加可怕。
　　而他与曼陀罗（孙艺燃 饰）的纠缠如毒刃绞心，在心动与背叛间撕裂挣扎……

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.