中国救护
4.0 |06月15日 |已完结 |共9集
简介:

  这是一档大型院前医疗急救纪录片,驻扎在三座城市一线急救工作现场,通过24小时纪实跟拍真实记录急救现场的工作状况,真实鲜活的院前急救案例,展现急救人员的专业与热忱,体现温暖动人的中国故事。

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简介:

  大学毕业前夕,李尉国在舍友杨智的帮助下向暗恋的校花刘薇薇表白,刘薇薇虽然有点感动可还是拒绝了他。毕业后李尉国开始了艰难的找工作历程,最后终于进入了一家人工智能公司,因其努力工作做出了出色的业绩。就在李尉国职业发展蒸蒸日上的时候,老同学杨智找到了他,提出一起创业的想法。李尉国毫不犹豫地加入了这场追逐梦想的创业之旅,和杨智、刘毅三人一起合伙开办了直播公司,但是创业前期困难重重,在大学里暗恋李尉国的美丽女孩张小曼在了解到李尉国创业遇到困难后,一人辞掉了自己处于职业发展前景很好的职位,编了一个合适的理由加盟了李尉国刚刚创业的小公司,于是,在张小曼的帮助下公司又开始慢慢有了转机,但是好景没持续多久,因为市场竞争激烈,公司又陷入了主播被其他竞争对手挖走的危机,在危机中李尉国发现了乡村振兴的商机回到老家创业,而同时在知名大直播公司的同学刘薇薇也在机缘巧合下来到了李尉国的老家,李尉国的爱情究竟能擦出怎样的火花呢?创业之路是否一帆风顺呢?在《直播间爱情故事》中就可获得答案。

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简介:眼尖的他發現:那幅畫作應是出自俄國大師列賓之手...  住在赫爾辛基畫的商奧拉維,總將藝術與工作視為第一,甚至因此忽略了家庭和親人。在退休前的一場拍賣會上,一幅塵封的畫作,意外吸引了奧拉維的注意。他眼尖發現:那幅畫作應該是出自俄國現實主義大師列賓(Ilya Repin)之手!奈何畫作上並未署名,加上拍賣目錄資料無多,致使價格低落、乏人問津...。    嗅到商機的奧拉維,決定在退休前再幹最後一筆交易,只要證實該畫確屬列賓真跡,立刻價值連城,他就能從中大撈一筆...。此時,奧拉維多年不見的女兒蕾拉突然出現,拜託他代為照顧15歲的孫子奧多。為避免打草驚蛇,奧拉維於是叫奧多去調查畫作背景,自己則四處借貸購畫的資金。    奧多查出該畫作確實為列賓所繪,此時資金借貸到位的奧拉維,決定要孤注一擲。但讓他最感納悶的是:列賓為何要匿名作畫?而這幅未署名的畫作,又如何能證據出自他手,並飆出驚人的銷售記錄?
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难以置信的事实
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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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