危情羔羊
5.0 |2025年06月15日 |HD中字
简介:

  卡特是一名儿童心理学家,他在自己女儿的房间里装了许多摄影机,用以观察儿童在平日里的一举一动。卡特的老婆詹妮,对他这种过分关注的行为有些担心,但她正在搞婚外恋,因此忽略了做母亲的责任,也就任由卡特去了。然而没过多久,当地发生了一连串儿童绑架事件,詹妮开始怀疑也许与丈夫有关,后者似乎正在进行一种心灵控制的试验。而詹妮不知道的是,卡特有着多重人格,知晓詹妮外遇的他,正打算对其大开杀戒……

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简介:讲述一个女性主义童话故事,为《一千零一夜》的新编,聚焦两个相爱的女人Cherry(麦卡·梦露 饰)和Hero(艾玛·科林 饰):Cherry与邪恶的男子Jerome(埃米尔·艾尔-马斯里 饰)结了婚,Jerome与他的朋友、好色的恶人Manfred(尼古拉斯·加利齐纳 饰)打赌,看Manfred能否在100晚之内勾引Cherry,如果Manfred成功,Jerome就把城堡和Cherry送给他。对此毫无兴趣的Cherry与她的女仆兼情人Hero策划了一计:在那100个夜晚,Hero将给Manfred讲述一些吸引人的故事,让Manfred从勾引计划中分心。
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难以置信的事实
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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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