怪物
3.0 |2025年10月23日 |4集全
简介:

  经营地摊的福顺(金高恩饰)和唯一的妹妹相依为命,虽然有点不足但福顺是出了名的“疯女子”,只要一得罪她便等于惹了大祸。某一天在福顺面前出现了一个冷血杀人魔泰秀(李民基饰),为了隐瞒自己的秘密泰秀还加害于她的妹妹,为了替妹妹报仇,毫不犹豫拿起刀的福顺,而泰秀省得麻烦,也打算干脆把福顺也杀死。
  杀人魔独白:
  曾经有人和我说过,不畏惧任何东西的人才是最可怕的,我杀了好多人,毫不犹豫的,谁答应我帮忙的请求,我会连那个人也杀掉。但在今天,我却碰到了个奇怪的女人,一个行尸走肉活着的疯女人,好像挺有意思的。
  福顺的独白:
  虽然我比不起其他人的生活和能力,但我是个很守约定的人,我曾经对奶奶发誓,我绝不会让任何人伤害妹妹一条头发,今天,我却遇上了一个没血没肉的冷血杀手,我一定会追杀到底。他,真的杀了我妹妹?

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  某日,野原新之助(矢岛晶子 配音)正在公园里和风间(真柴摩利 配音)、妮妮(林玉绪 配音)等朋友们玩耍,意外遇见了一位名为金有久美子(钉宫理惠 配音)的神秘女子,久美子告诉小新,自己来自于遥远的未来世界,而彼时已经长大成人的新之助,正是自己的未婚夫。                                                                      跟随着久美子,小新一行人来到了未来,在那里,金友电机的社长,亦是久美子的父亲金有增藏手握大权,并且绑架了一直和自己作对的新之助。得知小新的到来会阻碍自己的计划,增藏派出了刺客,在强大的敌人面前,小新能否顺利救出新之助,并且帮助面前这个陷入了黑暗之中的世界重新找回光明呢?

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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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