雪地迷踪
1.0 |2025年06月15日 |HD中字
简介:
杰西(索拉·伯奇 Thora Birch 饰)和哥哥西恩(文森特·卡塞瑟 Vincent Kartheiser 饰)是一对兄妹,他们的父亲杰克(德克·本内迪克特 Dirk Benedict 饰)在一场飞机事故之中失踪了,为了寻找父亲的下落,兄妹两人决定踏上寻父之旅。  在平日的生活里,杰西和西恩的相处并不融洽,他们身上都有彼此看不顺眼的特质,在做决定的时候也总是容易产生分歧。可是,在这趟旅途中,恶劣的生存条件让兄妹两人之间对彼此的理解渐渐加深,在一次又一次从危险之中,两个孩子终于领悟了唯有互相合作扶持才能够活下去的真谛。途中,两人还意外的救下了一只北极熊宝宝,它的母亲被邪恶的猎人派瑞(查尔登·海斯顿 Charlton Heston 饰)残忍的杀死了。
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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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