April 2020 – Lockdown. Etienne, a film director, and his brother Paul, a music journalist, are confined together in their childhood home with their new partners Morgane and Carole. Every room, every object, reminds them of their childhood, and the memories of the absents - their parents, their neighbors…This compels them to measure the distance that separates them from each other and the roots they share, those of their ground zero. As the world around them is becoming increasingly unsettling, unreality, and even a disturbing strangeness, invades their daily gestures and actions.

　　For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

　　很久很久以前，膝下无子的穷樵夫与妻子过着寒苦日子。某日大雪，集装箱列车如常划破森林的宁静，却在铁轨旁遗留了一名婴孩。樵夫坚信那定是火车载运的万恶异族所抛下的孽种，妻子则认为是上天恩赐，执意留下孩子，而这个选择，彻底改变了他们的命运。在世界最黑暗的时刻，良善的灵魂依然催生了希望之光。

　　慈祥的老祖母米歇尔（海伦·文森特 Hélène Vincent 饰）在勃艮第乡下安享着平静的晚年生活，她最好的朋友玛丽-克劳德（若西安·巴拉斯科 Josiane Balasko 饰）也住在附近。但当她的女儿瓦莱丽（露德温·塞尼耶 Ludivine Sagnier 饰）把孙子卢卡斯送来过秋季假期时，一切都偏移了正常的轨道。

　　丽莎（又名卡莉）得知丈夫在里约被处决以掩盖腐败丑闻后，她已经一无所有了。作为一名前特种部队新兵，她带着拳头、鲜血和炸药前往巴西，以了解真相

　　本片跟随法国纪录片的拍摄，深入了解法国的丰富自然与人文遗产。诺曼底：富饶之地、法国南部：沿水而行、奥克西塔尼大区：自然宝藏、科西嘉：岛屿瑰宝、新喀里多尼亚：神奇之境、法属波利尼西亚土阿莫土群岛：群岛之域、法属波利尼西亚南方群岛：伟大的资产、另一个世界等。

　　Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father, in hiding, surrounded by his clan. An underworld war erupts. The noose is tightening around them. Death strikes. Forced to go on the run, father and daughter will learn to face one another, to understand and love each other…

　　艾玛和大卫结婚7年，共同照顾两个孩子，生活虽然平淡，但是还算幸福，大卫却感觉艾玛似乎总是心事重重。为了庆祝结婚纪念日，两人相约在酒店见面。艾玛盛装出席，大卫因为堵车迟迟未到。鲍勃见艾玛一人独自饮酒便前来搭讪，两人互相试探，艾玛声称自己叫爱丽丝，在一家金融公司上班。大卫赶到后发现妻子和陌生男人相谈甚欢，便也佯装不认识凑了过去。酒后，他们各自回到房间。在大卫睡着后，艾玛留下字条说去买药，便来到了鲍勃的房间。原来鲍勃此次接近艾玛是有明确目的，他们都是杀手组织的成员，艾玛因为家庭犹豫着不想再做雇佣杀手，她深爱她的家人。但是，鲍勃希望他们能够合作，情急之下，艾玛为了自救杀掉了鲍勃。次日，艾玛声称商务旅行离开家中。随着警察对酒店杀人事件调查，大卫必须接受调查。警方和大卫交代了妻子的真实身份。大卫也在家中发现了藏有妻子秘密的盒子。大卫深爱着艾玛，他希望他们可以一起面对一切，他独自前往德国，希望能得知真相。艾玛希望全家人可以换一个身份换一个国家生活，从此摆脱警方和组织的追捕，却不料组织已经找到了他们。经过一番打斗，夫妻二人被组织带走。艾玛醒后发现全家人都被抓住，她的养母希望她抛弃“妻子”和“母亲”的角色，继续做回杀手，并且亲手杀掉大卫来了结这一切。艾玛假装答应，最后带着大卫反杀并救出了两个孩子，最后一家人团聚。

The plot centres on forty-something Marie, who lives in the Hautes-Alpes department of France, cut off from her close family. All she has is her lover, Alex, who works in the border police force. Thanks to him, she traffics cigarettes between Italy and France to make ends meet. One day, on her way to France, she runs into Mouneer, a 20-year-old Sudanese migrant, who is determined to catch up with his little sister. He works out that she is a trafficker and persuades her to get some migrants across the border.

在兔子洞里，灵兔白妮看到时间之窗一个接一个地消失...未来正在消逝，到底发生了什么？同时，马丽娜在家中醒来，发现有人利用奇迹少女与黑猫罗尔的米可幻奇许了愿。很快，她意识到自己需要变身成奇迹少女……但她发现自己的耳环不见了！幸运的是，灵兔白妮在愿望消除一切之前赶来救了她。为了一起拯救未来，灵兔白妮和马丽娜必须找出是谁发现马丽娜就是奇迹少女，以及这个人是何时、如何偷走她的米可幻奇的。马丽娜意识到蝴蝶米可幻奇现在有了新主人，一切希望似乎都消失了。只有一个人能拯救巴黎和世界，那就是奇迹少女自己。

　　2024年夏天，巴黎首次在塞纳河畔举办世界铁人三项锦标赛。才华横溢的科学家索菲亚从年轻的环保活动家米卡那里得知，一条大鲨鱼正在塞纳河深处游动。为了避免市中心发生血腥屠杀，他们别无选择，只能与塞纳河警察指挥官阿迪尔联手。

　　About the return of the royal treasures of Abomey in Benin, snatched away by colonial plunder, to a country that has had to build itself up and come to terms with their absence.

　　本作は甲斐が20年以上をかけ構想し書き上げたオリジナル作品。舞台はそう遠くない現代、国家が推進する延命治療として、一定の階級より上の人間が病に侵されたとき、自分と同じ見た目の“それ”が提供されて病の身代わりになるという設定で展開される“命の問題作”だ。

　　1978年，红色高棉政权邀请三名法国使者—醉心研究马克斯主义的学者、一心求真的务实记者，和满腔热诚、爱抱打不平的摄影师，到柬埔寨进行国情研习，企图向西方说好赤柬故事。政党高层句句歌颂波尔布特崇高的革命理念，被安排游览的场所处处展示赤柬的丰功伟绩，却依旧难掩人民脸上的恐惧。三位使者在高压政权的监视下寻找真相，以镜头和录音机对抗紧随他们的军人和枪支，却不知危险正逐步逼近。第10届焦点导演潘礼德过去多部作品，包括入围奥斯卡之作《被消失的影像》均反映出他对红色高棉大屠杀的念兹在兹，今次以剧情片重演真实事件，回归康城影展，继续以其独有的方式念记柬埔寨这段血腥沉重的过去。

　　该剧本由André Téchiné和Régis de Martrin-Donos撰写，以即将退休的技术和科学警察的特工Lucie为中心。一对年轻夫妇（一个小女孩的父母）来到他的小区，这让他孤独的日常生活感到不安。当她爱上她的新邻居时，她发现父亲Yann是一名反警察活动家，有着沉重的犯罪记录。Lucie的职业良知与她帮助这个家庭的愿望之间的道德冲突将动摇她的确定性......

　　害羞文静的法国少女芳妮参加学校的交换学生计划，来到德国住在同龄笔友蕾娜家。蕾娜冷酷又充满防备，语言是她们之间的一道墙，芳妮为卸下蕾娜心防，将烦恼与秘密告诉对方，两人因此拉近了距离。时间一天天过去，爱情不用翻译，反倒在语言的落差中滋长。这次，轮到蕾娜前往法国交换，暂住芳妮家的她，逐渐发现芳妮的秘密似乎另有蹊跷，但更糟糕的是，自己的感情已经越陷越深⋯⋯

　　为了一场未发生的展览，法国庞毕度中心向李欧卡霍抛出大哉问，请他用图像响应自己。向来不按牌理出牌的卡霍再度出人意表，亲自粉墨登场，以磁性画外音细述，并亲上剪辑台，透过隽永老歌、耸动字卡、怀旧相片，以及家庭录象、纪录档案与电影片段，让图像彼此撞击产生新意，不论政治、历史、个人与影史皆揉合为一，一部半自传基调的「卡霍式」散文电影于焉问世。