在另一个现代社会中，国家将父母从抚养孩子的负担中解放出来，一位执法者了解到一个令人震惊的事实，引发了她的反抗。

Unfolding over the course of Valentine’s Day in New Jersey, a young intersex sex worker must run from the mob after a drug deal goes sideways, forcing him to confront his past. Ponyboi bursts off the screen in this bombastic, edgy, and campy roller-coaster ride of a film. Flipping the script on the LGBTQ+ return home tale and the classic Jersey mobster saga, this neon-soaked story is not only full of action but also pure moments of tenderness. Complicated and hilarious, Ponyboi’s journey exposes a kaleidoscope of ways humanity is sugary sweet under hard surfaces. Backdrops of laundromats, diners, and the Jersey Shore create a heightened sense of place and time that is at once precisely transportative and fantastically imaginary. Director Esteban Arango returns to the Sundance Film Festival after his feature film debut in 2020 with Blast Beat. His signature liveliness, energy, and Latinx lens are present and blossoming in this sophomore effort. Writer, producer, and star River Gallo delivers a thrilling performance and a ripe emotional foundation that absolutely sings. Arango and Gallo’s creative collaboration is as entertaining as it is emotionally graceful.—AH 源自：https://festival.sundance.org/program/film/656a0128fac9f44bfdc04033

　　ABC喜剧电视剧《喜新不厌旧》（Black-ish）的创作人肯雅·巴瑞斯（Kenya Barris）将翻拍1992年的篮球喜剧电影《黑白游龙》（White Men Can’t Jump），NBA洛杉矶快船队（Los Angeles Clippers）的球员布雷克·格里芬（Blake Griffin）与NFL卡罗莱纳黑豹橄榄球队球员瑞恩·卡利（Ryan Kalil）也将参与制片。
　　老版《黑白游龙》讲述了韦斯利·斯奈普（Wesley Snipes）饰演的西德尼（Sidney Deane）和伍德·哈里森（Woody Harrelson）饰演的比利（Billy Hoyle）合伙利用打球、赌球行骗的故事。比利是个白人，黑人街头篮球手往往认为他不会打球，从而轻敌输了比赛。
　　本片的片名“White Men Can’t Jump”是西德尼打趣比利的话，因为他说他不会扣篮。
　　新版《黑白游龙》仍然由20世纪福克斯公司制作发行。

　　根据同名小说改编：1957年平安夜一名德哈维兰吸血鬼的飞行员回家的故事，他的飞机在从德国北部的皇家空军赛勒到萨福克郡的拉肯海斯的途中遭遇了完全的电气故障。由于迷路于雾中，燃料不足，他被一架二战时期的德哈维兰蚊子战斗轰炸机的飞行员接见并带（或护送）到英国皇家空军的一个废弃的分散场，飞行员显然是被派来引导他的。
　　他试图为最终获救找到一个合理的解释，这和他的经历一样麻烦。然而，在他降落在机场后不久，虚构的英国皇家空军明顿，他得知他的救星是约翰尼·卡瓦纳，一个战时英国皇家空军飞行员，他曾驻扎在明顿，并曾引导残废的轰炸机回家。吸血鬼飞行员还了解到，卡瓦纳在最后一次任务中，即1943年圣诞夜，也就是整整14年前，在北海上空失踪。

　　Tin Men is one of my favorite movies of all time. The thing that always strikes me whenever I watch this movie is that while the characters of Richard Dreyfuss and Danny DeVito are seemingly feuding non-stop throughout the movie, in reality they are actually kindred spirits. It's like they see themselves in the other but don't really like what they see. Barbara Hershey is great as the haggard housewife who looks for something more fulfilling in her life. All the supporting cast is excellent. I love the diner dialog which is reminiscent of Barry Levinson's previous film "Diner." The background scenes of Baltimore landscape add to the realistic atmosphere of the movie. Overall, I think this movie is vastly underrated. I'd love to see a sequel with Dreyfuss and DeVito as partners in a VW dealership.

两位女子——一个重返故土直面过往，一个寻觅人生方向，共同踏上一段公路之旅。而这趟旅程，最终化作了治愈伤痕、建立联结与探寻自我的心灵归途。

　　The film centers on Dawn (Cosgrove), who is desperate to get to France for a once-in-a-lifetime art opportunity. Thus, she talks her way onto a Bachelor-type dating show set in Paris — only to discover the show is actually set in Paris, Texas as part of a ratings stunt by the producers. Now in jeopardy of losing out on her dreams, Dawn must find a way to get kicked off the show, until a real romance begins to blossom with Trey (Fode), the show’s handsome and charming bachelor.