刘易斯（多格雷·斯科特 Dougray Scott 饰）和妻子分开多年，工作非常繁忙的他将孩子托付给住在伦敦的父亲抚养。终于，刘易斯得了空，决定将父亲和儿子接回自己的身边，他兴高采烈的搭乘上了开往伦敦的火车。在车上，刘易斯邂逅了名为伊莲娜（琳赛·邓肯 Lindsay Duncan 饰）的女子，一来二去之间，两人还真有点碰撞出了火花的意思。
　　让刘易斯没有想到的是，不知从什么时候起，车内的服务人员全都失去了踪迹，更糟糕的是，这辆列车的刹车似乎失灵了。原来，在车上隐藏了一个恐怖分子，他对列车动了手脚，想要全部的乘客成为他的陪葬品。目前，只有刘易斯一个人得知这可怕的真相，全部的希望都凝聚到了他的肩上。

　　影片恶搞自著名的《海蒂和爷爷》 ，讲述在一个被邪恶的奶酪暴君法西斯统治的反乌托邦的瑞士，海蒂在阿尔卑斯山过着单纯的生活。爷爷Alpöhi尽他最大的努力保护海蒂，但她对自由的渴望很快使她陷入了麻烦。这个天真的女孩把自己变成了一个复仇女神，她要毁灭阻挡她的一切。

　　极具音乐天赋的小提琴家Rose在作曲家父亲Richard死后继承了他的大宅子，Rose在宅子中发现了父亲所作的遗作中有一些神秘的符号，在她的助手Charles的协助下，Rose逐步破解了这些神秘符号，同时也牵扯出她和父亲身后隐藏的惊人秘密。

　　Ja-young and her friends decide to shoot a video titled “Spirit Summoning That Tells You Everything” for a YouTube contest with a cash prize. Initially planning to stage the whole event as fiction, they begin filming in the water tank of an abandoned building. However, prompted by Ja-young’s suggestion, they attempt a real séance. Ja-young hopes to uncover clues about her older sister, who went missing when they were children — but what begins as a playful ritual soon spirals into a terrifying experience none of them can handle. What starts out as curiosity and fun gradually transforms into a nightmare. The séance, conducted in a confined and claustrophobic space, is rendered with chilling realism, adhering to the conventions of classic horror. The film skillfully builds tension through the occult element of spirit summoning, while also revealing the slow unraveling of friendships and long-buried secrets, maintaining strong dramatic momentum throughout. Standing apart from typical teen horror, the film boasts high genre polish and gripping performances from actors like Kim Yerim and Lee Chanhyeong. With its immersive terror that makes viewers feel as if they're part of the ritual — and a finale that defies all expectations — it leaves a lasting impression.

　　书生陶望三在为亡母守孝的最后一天遇到女鬼，幸得道士全矶子相助才得以保命，并送其一卷可保不受鬼怪侵害的经书。由于旧居损坏，陶望三暂住好友姜部郎的一套据说闹鬼的老宅中，结识了落水身亡的女鬼小谢和为救小谢身亡的秋容与三郎，四人相处愉快，其乐融融……。
　　陶望三欲上京赶考，三郎劝他不要去，因为不仅会徒劳无功，而且还会有牢狱之灾，但他仍执意前往。在京城，他结识了豪爽侠义的同考学子蔡子经和狡猾奸诈、冒充考官外甥到处骗钱的方可为。由于他看穿了方可为的卑劣行径，遭方陷害入狱，小谢秋蓉前去营救。在营救的过程中，秋蓉被掌管阴阳界限的好色的阴阳法王抢去作妾，小谢也被打成重伤。为了救出秋蓉，陶望三请来全矶子相助……。
　　陶望三求全矶子想办法让小谢和秋蓉恢复人身，但全矶子法力有限，只能让一人复活。小谢知道他的为难，黯然退出，秋蓉于是复身在蔡子经亡妹的身体上复活。秋蓉复活后嫁给陶望三，但在成亲之日，阴阳法王却又来作恶……。
　　为了消灭阴阳法王，全矶子言明只有一个方法，但却要付出沉重的代价……。
　　《鬼妹》虽然继承了《画皮》的恐怖气氛和“聊斋”的故事背景，却喊明了要挑战《画皮》的恐怖尺度。影片讲述了《聊斋》中书生陶望三与两个女鬼之间的一段离奇故事：陶望三在为亡母守孝的最后一天遇到女鬼，幸得道士全矶子相助才得以保命，并送其一卷可保不受鬼怪侵害的经书。由于旧居损坏，陶望三暂住好友姜部郎的一套据说闹鬼的老宅中，结识了落水身亡的女鬼小谢和为救小谢身亡的秋容与三郎，四人相处愉快，其乐融融。
　　提醒：该片故事情节玄妙离奇，气氛阴森恐怖，尤其是在忽急忽缓的音乐衬托下，会让人不由自主地产生心惊肉跳、不寒而栗的感觉，堪称恐怖片中的上乘之作。

　　In the 1930s a horror-comic artist's creations come alive and kill him. Years later a new cartoonist revives the creatures in his house, now part of an artist's colony.

　　Poor teenager Tommy isn't having a good time of it. His mother just passed away at a tragically young age. Tommy starts seeing a ghostly white apparition of her unrestful spirit. He also experiences scary nightmares of an evil devil cult. Plus a couple of close friends of the family meet brutal untimely ends. Could it be mysterious new housekeeper Darminah who's behind the freaky and troubling events that have befallen Tommy and his family?
　　Director Sisworo Gautama Putra does an expert job of ably creating and sustaining a powerfully eerie and unnerving otherworldly atmosphere. Moreover, Putra does a totally convincing job of evoking a thoroughly believable mundane everyday reality that's ripped asunder by bizarre and inexplicable supernatural phenomenon. Better still, Putra keeps the pace slow, yet steady throughout, uses violence in a shocking, but restrained manner and gradually builds up a tremendous amount of harrowing tension before pulling out all the stops with a genuinely terrifying conclusion in which all hell quite literally breaks lose. This film even offers a rich, colorful and illuminating depiction of a fascinatingly different culture and its strongly held religious beliefs. An extremely solid and satisfying foreign fright feature.

　　You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.
　　Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.

　　A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.