简介：

　　父母离异，20岁的大男孩岛森树（袴田吉彦 饰）独自来到东京某大学求学。他相貌清秀，性格温和，学习优秀，然迫于生计不得不在一家名为皮诺的同性恋俱乐部打工。树的相貌与气质为他赢得不少的顾客，也引来同俱乐部的男孩宫岛信一郎（遠藤雅 饰）的注意。信还只是一个读高中的男孩，他经常受到俱乐部老板那丑陋猥琐的男友的骚扰，幸亏树为其一次次解围。信从心底深深爱恋上了树，而对方只因生计才做了这一行，骨子里却并非一个同性恋，这令信万分痛苦。
　　另一方面，树的同学铃木赖子（片岡礼子 饰）也喜欢上了树。而迷恋信的女孩仲里（山田純世 饰）在得知信的心事后，则想方设法促成两个男孩的恋情。20岁的青涩恋味，在四人心中慢慢展开……

简介：

　　亚历克斯·罗斯的母亲让她去完成童年的愿望清单时，她随之踏上了一段让人笑中带泪的旅程，并将在旅程中揭开家族秘密，收获爱情，并找到真正的自我。

简介：

本片讲述保安队长马一鸣梦中与专门曝光物业负面新闻的女记者业主易佳人有了一次换身体验，并由梦境得到启发和以梦想为动力，与易佳人共同经历业主与物业的种种冲突，换位思考，从对方的立场和思维去化解过去未能解决的矛盾，在现实中获得圆满结局的喜剧故事。

简介：

　　「那個男人，念念不忘」，我們都有一段異男忘。帥氣好看的安德烈，從小與亞歷山德羅一起長大，每年暑假的海濱勝地，是他們玩樂的美好時光，只是當二人越接近，安德烈就越難抑止慾望與衝動，但又怕破壞長久的友情。這個夏天，他決定告白，邀請亞歷一同游向大海的遠方……。

简介：

　　裴斗娜、金允石将携手主演姜利官([犯罪少年])执导的奇幻爱情新片[病毒](바이러스，暂译)。影片讲述与爱情相似的病毒蔓延中，女感染者和男研究员之间的浪漫爱情故事。影片预计于今年上半年投入拍摄。

简介：

一个贫困乡村利用当地的温泉资源，建了一个温泉山庄，却因宣传推广不到位而生意清淡。小村决定组织乐队排练节目参加旅游文化节。却因沟通的乌龙，影视公司的女业务员用极低的价格接下了这个业务。为了完成任务，将五个性格迥异的人强扭到一起，故事由此展开。

简介：When her boyfriend goes back to Ukraine to be with his ailing father, 23-year-old Dakota anxiously navigates her precarious new reality, surviving on her own in New York City.

简介：

简介：高中生乖乖美女Emma、孤僻帅帅男Dean及其同学到岛上度，两人由于偶然意外被困于孤岛，Emma心有所爱，Dean则偷偷暗恋，两个人在孤岛上的近百天内越靠越近…… 　　电视电影，跟旧的那个《青春珊瑚岛》没有任何联系，也没有任何可比性，女角自然不可能像波姬小丝那样娇美，电影尺度也远远不如《青》，只能算是把小青年的纯爱青春片从学校搬到了小岛上而已，整个电影没有重点，不知所谓。

简介：故事源于音乐人卡兰（杰·巴鲁沙尼饰）的一个不断复现的噩梦，梦境中的一切都是栩栩如生，每次醒来都是叫着丽拉的名字。同时，一位美丽的印裔英国模特米拉（桑妮·雷奥妮饰）来到印度拍摄广告，与英俊富有的兰维尔王子（莫希特·阿赫拉瓦特饰）产生了炽热的爱情。命运让卡兰、米拉和兰维尔走到一起，潜在的记忆开始萌生，原来这是一个三百年前未完成的故事，三百年后需要重聚来续写他们的前世的爱恨情仇……

简介：1996年，北海道道东。因一次不容错过的考试，美丽的女孩平泽纱枝（新垣结衣 饰）邂逅了阳光爽朗的男孩木内康平（生田斗真 饰）。不过这次相逢并不顺利，康平因驾驶汽车出了车祸延误了纱枝的考试，自己也被学校责令退学。糟糕的开始并非有一个糟糕的结局，康平与纱枝由此相知相恋，结为情侣。随着毕业的临近，他们的感情也面临着考验。康平继承家业，成为一名与大海搏斗的渔夫，纱枝则经过艰辛的备战，考上了东京的名府早稻田大学，时间和空间成为他们之间最大的障碍。在此期间，康平的家面临破产，生计举步维艰。纱枝也在求职的道路上不断受挫。两人的恋情似乎慢慢走向了消亡……　　本片创意来自根据一青窈的同名歌曲。

简介：康烨，体育系毕业一年。通过好朋友介绍来到城市任职一名健美教练，通过网络与兼职模特Taylor合租房子。合租期间两人擦出爱的火花，康烨得知自己活在Taylor前男友的影子里，让他对Taylor的感觉飘忽不定，同是健美教练的谢可儿深爱着康烨，狂热的追求康烨。Taylor父母强制让Taylor与门当户对的沈建旭订婚，看不起康烨，Taylor无意看到康烨与谢可儿同床，愤然离去。最终，康烨放不下Taylor，下定决心抢婚……

简介：加州圣芭芭拉市的面包店老板娘珍妮（梅丽尔•斯特里普 Meryl Streep 饰）与前夫杰克（亚历克•鲍德温 Alec Baldwin 饰）20年的婚姻因后者的外遇而解体。十年后，三个孩子均已长大成人，珍妮的生活也终于步入正轨，并在扩建房屋的过程中结识了建筑师亚当（史蒂夫•马丁 Steve Martin 饰），二人互生情愫。但在小儿子Luke（亨特·帕瑞施 Hunter Parrish 饰）的毕业典礼上，珍妮却突然发现杰克对她旧情复燃。心乱如麻的珍妮禁不住诱惑，竟与已婚的杰克搞起了婚外恋。面对这段剪不断理还乱的复杂四角关系，珍妮到底该如何选择呢？　　本片获第67届金球奖音乐喜剧类最佳影片、最佳女主角（Meryl Streep）和最佳剧本三项提名。

简介：奥黛丽（詹妮弗·安妮斯顿 Jennifer Aniston 饰）和尼克（亚当·桑德勒 Adam Sandler 饰）的婚姻已经走入了第七个年头，感受到了“七年之痒”所言非虚的夫妻两人决定用一场旅行来修复他们之间的关系，令爱火重燃。在飞机上，夫妻两人邂逅了一位百万富翁穆尔康（特伦斯·斯坦普 Terence Stamp 饰），穆尔康热情的邀请两人进入自己的社交圈，前往自己位于欧洲的豪宅里度假。　　然而，让奥黛丽和尼克没有想到的是，在豪宅里竟然发生了一场谋杀案，身为“不速之客”的他们很快就成为了最大嫌疑人。直到这时，两人才意识到，或许他们闯入了一个圈套之中，成为了凶手的替罪羔羊。

简介：一位穷途潦倒的电影明星，希望能够在百老汇的舞台上有东山再起的机会。而在他努力重振事业的过程中，遇到了疯狂的天才导演杰克·布坎南，也得到了剧中女主角南妮特法瑞的爱情。

简介：本片是埃里克·侯麦《六个道德故事》的最后一部。弗雷德里克（贝尔纳·维尔莱 Bernard Verley饰）在经过了前五集的犹豫之后，终于跨进了婚姻的城门。此时的弗雷德里克已与妻子海伦娜（弗朗索瓦丝·韦尔莱 Françoise Verley饰）过着幸福的小资生活。弗雷德里克在法国巴黎一家小公司上班，海伦娜则是一名工作稳定的教师。海伦娜一直期待着他们第二个孩子的出生，而弗雷德里克却不安于现状。每到下午时分，就是他幻想和其他女性缠绵的时刻，即使他并没有付诸于行动。一日，他的旧情人克洛伊（祖祖 Zouzou饰）出现了。两人以老朋友身份见面聊天，然而面对克洛伊的诱惑，弗雷德里克动心了。　　由国际电影大师埃里克·侯麦执导的影片《午后之爱》，是侯麦《六个道德故事》的最后一部。《六个道德故事》是侯麦的成名作，包括《蒙索街的面包店女孩》、《苏姗的爱情经历》、《莫德家的一夜》、《收集男人的女人》、《克莱尔的膝盖》和《午后的爱情》，此系列作品奠定了他在世界影坛的地位。

简介：剧情描述了73岁的老人濑山克子某天离家出走在奇怪的照相馆拍摄了照片后，相貌突然回到了自己20岁时模样的故事。

简介：一个英国钢琴家，却是从不公开演奏的钢琴家，住在一所古老的大房子里。主人过着与世隔绝的日子，只与音乐为伍。而她，来自非洲，丈夫因政治而被抓，她不知缘何来到罗马，成了古怪钢琴家的房客、管家，挣来的钱念医学院 。她的音乐是充满节奏的，她也是活生生的，在为生存而奋斗。住在楼上的古怪的钢琴家以他奇怪的方式迷恋住在楼下的非洲女子。钢琴家有一天突然抓住那女子，说他爱她。她对钢琴家无动于衷，她说她结婚了，丈夫在非洲的监狱，“帮我把丈夫弄出来！”她说。他道歉，从此不再旧话重提。但是慢慢地，她发现老屋中的艺术品一件一件神秘地消失了，最后连钢琴都被吊走了，这时她接到了丈夫的信息，他要来了。她知道这是钢琴家变卖家产贿赂的结果。而她的选择呢？

简介：奎诺（Quino）是一位墨西哥潜水员，在海底发现了一颗珍珠。他和他的妻子胡安娜（Juana）及其儿子刚刚拥有了一颗价值数千的珍珠。每天人们都在尝试赚钱，甚至珍珠交易商也试图将其剥夺。奎诺（Quino）有一天受到攻击时，他是为了自卫而杀死攻击者。他的兄弟建议他们唯一的希望是离开村庄。但是，在给儿子提供从未有过的教育的过程中，有人可能会采取任何措施来阻止这种情况。　　Quino is a Mexican diver who discovers a pearl at the bottom of the sea. He and his wife Juana, and their son have just taken possession of a pearl that is worth thousands. Everyday people try to get in on the cash, even Pearl Dealers try to rip them off. When Quino is attacked one day, he kills his attackers in self defence. His brother suggests their only hope is to leave the village. But on their journey to give their son an education they never had, someone may just do anything to prevent it.

简介：城镇警长家里最小的孩子没有父亲和哥哥们那样壮实，但他用头脑战胜了劫匪，为家庭和自己赢得了荣誉，当然，还有未婚妻。

简介：12岁的乔什（汤姆·汉克斯 Tom Hanks 饰）似乎对自己的年龄有些意见：个子太矮而无法坐绕环滑车，年纪太小追不到心仪女孩……于是他向游乐场里的一个古旧许愿机投了25美分，许愿变成一个大人。不料第二天起床，乔什竟发现自己一夜之间长大了近20岁，现在他是一个不折不扣的大人了，连母亲都认为他是绑架儿子的陌生人而将他赶了出去。乔什只好自谋生计，在一家玩具公司找到了职位。在一次偶然的机会，乔什孩子般的天真与热情给玩具公司老板留下了深刻印象，他的点子也使他在工作中频获嘉奖，很快住进了宽敞的公寓，并与年轻同事苏珊（伊丽莎白·帕金斯 Elizabeth Perkins 饰）展开了浪漫恋情。然而随着工作、生活、爱情这些成人世界的压力开始向乔什逼近，乔什那颗刚满13岁的心渐渐感到困倦失落，他开始回想，这是否就是自己想要的成长……　　本片曾获提名奥斯卡最佳男主角及最佳原创剧本。

简介：米卡·阿卜杜拉(《青春相对论》)、杰克·索特([社交网络追爱记])将主演青春喜剧[吸引力](Sex Appeal，暂译)。该片由塔莉亚·奥斯汀([帮帮我])执导，塔特·汉约克操刀剧本。故事讲述功成名就的女明星艾弗里·汉森-怀特与男友异地相恋，当男友暗示想在即将到来的舞会上进一步发展两人的关系后，她开始面对自己的欲望并且学习爱情的模式，过程中，她意识到感情需要的是感性而不是理性。

简介：Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs.　　Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life.　　Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)