中国月亮1996
966
7.0
HD国语
中国月亮1996
7.0
更新时间:06月15日
主演:萨日那
简介:

  中文名中国月亮
  导    演阿年Nian A
  编    剧简宁
  主    演萨日那
  陆颖墨Yingmo Lu
  影片类型: 剧情
  国家/地区: 中国
  对白语言: 汉语普通话
  色彩: 彩色
  摄影 Cinematography:鲍肖然 Xiaoran Bao
  上映 1995年
  制作公司:福建电影制片厂
  转子到农贸市场去卖自家的农产品、到血站卖血,凑齐了医药费,总算暂时保住了老人的腿。 与尚斌彩云和尚斌深深相爱着,尚斌参军入伍后,他家这副沉重的担子就落在了年轻姑娘彩云肩上。尚斌家有年迈的奶奶、患有腿疼病的父亲,还有一个傻弟弟二转子。 一天尚斌爹腿疼病犯了,二转子跑到彩云家求助。彩云连夜将尚斌爹送进县医院后,又带着二同时参军的长军适应不了部队的紧张生活,提前复员回来,做起了生意。彩云鼓励他在家乡干出一番事业。他劝彩云同去广州卖村里收购的白果,彩云为了赚钱帮助尚家就答应了。尚斌第一次回来探亲,看到家中的困难状况,萌发了退伍回家的念头。这时彩云从广州回来,鼓励他在部队坚持下去好好干,家中的事都交给自己。让他一切放心。 他们结婚后,彩云放弃了长军要她到县里办公司的邀请,并说服父母,毅然搬到尚斌家去住,操持起尚斌一家老小病残的艰难生计。为了根治老爹的腿病,她顶着流言蜚语,每天坚持为尚斌爹洗蒸汽药浴。 在彩云的努力下,尚家的日子一天天好起来。可彩云却因月子里用冷水洗白果落下了腰疼病;傻弟弟不小心失火,彩云救火,又救二转子,自己累病了;老奶奶平日身体硬朗,没想到这么快就撒手归西了,又是彩云一手料理了后事。彩云为这个家日夜操劳着。 在一个金色的秋天,已是中校的尚斌回家了,一家人欢聚一堂。尚斌给奶奶上坟,惊喜地发现父亲不用拐杖能走路了。彩云却倒下了。 为了给彩云治病,她随军当了家属。在部队她也不闲着,帮民工一起修建军港。台风袭来,彩云不顾自己的病.和当地民工下到冷水中,她终于支持不住倒下了。 彩云坐着轮椅回到家乡,乡亲们都称她为“好军嫂”。

4851
1995
中国月亮1996
主演:萨日那
金色梦乡
966
6.0
HD中字
金色梦乡
6.0
更新时间:06月15日
主演:堺雅人,竹内结子,吉冈秀隆,剧团一人,香川照之,柄本明,滨田岳,涩川清彦,柳原晴郎,大森南朋,贯地谷栞,相武纱季,伊东四朗,永岛敏行,石丸谦二郎,成膳任,绪方义博,泷藤贤一,木下隆行,木内绿,龙雷太,铃木福,岩松了,安藤玉惠,波冈一喜,上田耕一,芦川诚,笠木泉,郑龙进
简介:居住在仙台的宅急送工作人员青柳雅春(堺雅人 饰)是一个情感细腻、善良温和的青年。2年前,他曾因救助被歹徒威胁的当红女明星凛香(貫地谷しほり 饰)而成为当地家喻户晓的英雄人物。某天,他接到大学好友森田森吾(吉岡秀隆 饰)一同钓鱼的邀请,于是欣然前往。但是令青柳出乎意料的是,森田似乎把自己骗入一个陷阱之中。是日,正在故乡仙台视察的金田首相(伊藤ふみお 饰)遭到炸弹袭击身亡,而青柳则成为了头号嫌疑人。警察总署综合情报科迅速部署天罗地网,而知晓内幕的神秘势力也急于杀害青柳以灭口。在好友和陌生人的帮助下,青柳被迫在小小的仙台展开绝命逃亡,“对他人的信任”是他所拥有的唯一武器……  本片根据伊坂幸太郎的同名原著改编。
1608
2010
金色梦乡
主演:堺雅人,竹内结子,吉冈秀隆,剧团一人,香川照之,柄本明,滨田岳,涩川清彦,柳原晴郎,大森南朋,贯地谷栞,相武纱季,伊东四朗,永岛敏行,石丸谦二郎,成膳任,绪方义博,泷藤贤一,木下隆行,木内绿,龙雷太,铃木福,岩松了,安藤玉惠,波冈一喜,上田耕一,芦川诚,笠木泉,郑龙进
蕾切尔的婚礼
966
1.0
HD中字
蕾切尔的婚礼
1.0
更新时间:06月15日
主演:安妮·海瑟薇,罗丝玛丽·德薇特,塞巴斯蒂安·斯坦,Roslyn Ruff,比尔·欧文,安娜·迪佛·史密斯,安娜莱吉·阿什福特,Zafer Tawil,Beau Sia,Innbo Shim,Eliza Simpson,Olive,Anisa George,Tamyra Gray,Victoria Haynes
简介:在康复中心戒毒治疗的金茉(安妮•海瑟薇 Anne Hathaway饰),因为姐姐蕾切尔(罗丝玛丽•德薇特 Rosemarie DeWitt 饰)即将举行婚礼,被父亲保罗(比尔•欧文 Bill Irwin 饰)接回了家。但她还是要定期去参加瘾君子互助会活动。巧的是,她发现姐夫的伴郎基兰(玛德•奇科尔 Mather Zickel 饰)竟然也是互助会成员,同命相怜的两人倍感亲近。  在交流中,金茉得知伴娘不是自己,勃然大怒。经过一番争取,蕾切尔最终还是同意金茉出任伴娘。但是,这次妥协并没未让姐妹重修旧好。金茉不合时宜的“道歉计划”让整个家庭陷入了矛盾之中,只有父亲始终细心维护着她。在一次争吵中,姐姐蕾切尔提及早年弟弟车祸死亡之事,这让金茉内心的负罪感愈加沉重,并导致她与母亲艾比(德博拉•温格 Debra Winger 饰)大打出手……
312
2008
蕾切尔的婚礼
主演:安妮·海瑟薇,罗丝玛丽·德薇特,塞巴斯蒂安·斯坦,Roslyn Ruff,比尔·欧文,安娜·迪佛·史密斯,安娜莱吉·阿什福特,Zafer Tawil,Beau Sia,Innbo Shim,Eliza Simpson,Olive,Anisa George,Tamyra Gray,Victoria Haynes
大饭店
966
7.0
HD中字
大饭店
7.0
更新时间:06月15日
主演:葛丽泰·嘉宝,约翰·巴里摩尔,琼·克劳馥,华莱士·比里,莱昂纳尔·巴里摩尔
简介:在柏林的一家大饭店里。那时整个德国笼罩着经济危机的阴影。在豪华的大饭店里麇集许多来自不同阶层的人物。其中有陷入困境而避风头的财界巨擘普莱辛格,无奈色衰而想自尽的芭蕾舞演员格鲁辛斯卡娅,被赌博弄得倾家荡产而偷窃为生的旧男爵冯盖根,普莱辛格的旧属风烛残年的孤老克林格兰,以及年轻漂亮但贪婪自私的速记员弗兰苓等。  这部第5届奥斯卡最佳影片是米高梅在30年代初期首创“全明星电影”的代表作。全片以柏林的一家豪华大饭店为人生舞台,表现五组人物在同一天之中的离奇遭遇。叙事手法虽然中规中矩,但几位大明星的表演却相当精彩,充分掌握角色的个性和处境,其中有:面临事业危机的俄国芭蕾舞女星、嗜赌的男爵、患上绝症的小人物、企业家等。这些角色以三线交错的方式上演着人生的悲欢离合,剧情发展流畅,场景虽然局限在大饭店中,但人物穿梭流动自然。故事在后来的《柏林饭店》(Hotel Berlin)和《琼楼风月》(Weekend at the Waldorf)中再度出现,并被改编成百老汇歌舞剧。
4466
1932
大饭店
主演:葛丽泰·嘉宝,约翰·巴里摩尔,琼·克劳馥,华莱士·比里,莱昂纳尔·巴里摩尔
欧洲的某个地方
966
7.0
HD中字
欧洲的某个地方
7.0
更新时间:06月15日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
539
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
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