When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost. 源自:https://www.mardelplatafilmfest.com/38/en/pelicula/deus-irae
东南亚M国,卧底警员昂基潜伏毒窝查“蓝色天堂”配方,遇退伍特种兵哥登。哥登妻子惨丧毒枭坤沙之手、儿子被掳。二人因正义与复仇联手,闯毒巢、救被拐儿童、斗黑警与毒贩,历经生死终将坤沙团伙击溃。缉毒信念不灭,兄弟情义滚烫,尽显邪不压正的正义力量。
一个关于爱、渴望和归属感的故事,植根于分裂时代的移民。考察记忆、怀旧以及与家和亲人的情感联系,探索过去如何塑造身份并维持几代人的人类精神。