不要睁眼

简介：相传盘古开天后，为稳定空间，鸿钧老祖取天地阴阳二气，以乾坤之力炼化成玄天神剑。立于九天之巅，护天下苍生。 一日东皇太一和妖皇帝俊在天界激战，无意中惊扰了正在修炼的玄天神剑，剑身和剑鞘被太一和帝俊聚合的灵力打落凡尘。剑身降生在邢襄镇周府，成了周府公子周乾，失去了记忆和灵力。剑鞘则带着记忆和残缺的灵力落入桃花林，因济世救人被人称为桃花仙子。东皇太一将妖皇帝俊重伤，妖皇帝俊在逃往人间之时无意发现剑身转落凡尘，欲掌控玄天神剑，继而灭了周家满门。周乾不断修炼法力走上了复仇的道路，在降妖除魔的过程中结识了除妖师凌儿与之结伴。后终于遇到了命定的缘分桃花，最终在三人的努力下，打败了妖皇帝俊，保护了人间安危。

简介：从创世之初开始，正邪两种力量间的争斗就没有终结，他们一方修炼能够起死回生并预见未来的法术，另一方则结成组织不停寻找终极武器的下落。现在，一个女人的出现将影响正邪间的势力平衡。　　女杀手艾丽卡（珍妮弗·加纳 Jennifer Garner 饰）的父母数年前被人杀死，而她自己也不幸身亡，幸有掌握复活能力的导师将她救活，又传授给艾丽卡诸多本领。艾丽卡在执行一次任务期间，和相邻的马克（高兰·维斯耶克 Goran Visnjic 饰）与阿碧父女结识，这对儿父女令艾丽卡回想起自己曾经拥有的家庭之爱，然而任务目标揭晓，雇主的目标居然是马克父女。艾丽卡为了保护父女俩不惜与杀手集团作战，因艾丽卡阻扰而愤怒的“The Hand”派出最强组合，追杀艾丽卡等人……

简介：Omar Lulu, who shot to fame with the surprise hit 'Happy Wedding,' is known to feature new faces in his projects.

简介：繁华的街道，穿梭的人群，只有在夜晚才能慢下来。我叫做灿，是一家酒吧的老板，这里也是我的家。在这里我遇到了形形色色的人，听到了许许多多的故事，很多人问我为什么这么沉默，因为我喜欢聆听。每个人都有属于自己的故事，就像水一样，里面有我最珍贵的回忆，如果能做到的话，什么酒都愿意为您调。喝的不是味道，而是喜、怒、忧、思、悲、恐、惊。

简介：

　　1966年夏天，迎接暑假到来的三姊弟，一如往常地嬉戏玩乐，与家人讨论暑假的旅游计划。看似和乐的家庭，直到母亲意外得知父亲不可告人的秘密后，逐渐崩解。这回透过小孩们的无奈答话，充分展现二战之后逐渐弥漫的保守氛围，并讥讽当时社会的道德假面。

简介：Eternal life technology (transferring mind to new body) is developed by 2 companies. Resistance to the merger of the 2 companies is met with kidnapping and murder.

简介：一场车祸，母亲丧生，而孩子却奇迹般幸存，他赤裸着身体获救，然而救人者竟然是来自未来的自己。原来，这个名叫亨利（艾瑞克•巴纳 Eric Bana 饰）的图书管理员，患上慢性时间错位症，以至于每次发病都将穿越时空。而且，他每次穿越都赤身裸体，经常闹出笑话。久而久之，亨利习以为常。一个偶然的机会，他爱上了一个名叫克莱尔（瑞秋•麦克亚当斯 Rachel McAdams 饰）的女孩。为了追求克莱尔，他穿越时空对6岁的克莱尔表白，并许诺未来将娶她为妻。因此，当亨利在现实中出现时，两人迅速热恋、结婚，而且还生了一个女孩。但是，亨利的老毛病依旧无法改变，所以克莱尔必须适应这个穿越时空的老公，两人也因此历经磨难……　　本片改编自美国作家奥黛丽•尼芬格(Audrey Niffenegger)创作的同名畅销小说。

简介：

　　露丝·斯雷特（布洛克饰）因暴力犯罪被判入狱，出狱后的她重新踏入社会，但自己的过去却不被原谅。面对来自她曾经称之为“家”的地方的无情评判，她获得救赎的唯一希望，就是找到当初被自己无奈丢下而疏远了的妹妹。

简介：

　　

简介：影片剧本仍由帕劳洛与老搭档奥兰多·提拉多共同撰写，讲述一位变性女性(莱赛特饰)回到美国中西部，去照顾她垂死的母亲(克拉克森饰)。这个有关破碎家庭的故事，将对遗弃、老龄化、承诺和救赎等主题展开讨论。影片预计于今年底开机。

简介：

　　一起见证SEVENTEEN成团10年的汗水与笑容，携手走向新篇章。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.