马路英雄
5.0 |06月15日 |正片
简介:
祖酷爱汽车,与人合资经营一汽车修理房。在一次非法赛车中,与雷发生碰撞,并被拉上差馆,从此两邦结怨,而雷之父狠为一老练探员,竟公事公办将雷扣留,雷与父之间矛盾因更深,而更加迁怒于祖。另一方面,祖因此事而结识雷之妹ANN,并共坠爱河。后来,雷知道ANN与死对头相爱,于是屡次破坏,祖初时为了ANN而不加反抗,但雷咄咄逼人,ANN自知一切皆由己而起,遂忍痛与祖分手,但雷并没有因此罢手,祖唯与雷谈判,二人相约以赛车赌五十万来解决,赛事中雷车意外冲落大海。雷手下红牛以为雷已死,所以以ANN威胁祖,藉此为雷报仇,祖赶至,但不敌红牛,危急之际,雷满身披血而至……
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简介:Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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