鬼惑

简介：과거 대부호였던 왕할머니의 대저택에 숨겨진 보석을 훔치기 위해 간병인으로 입주하게 된 보영. 보영을 고용한 왕할머니의 유일한 혈육인 김사모는, ‘아무도 데려오지 말 것, 특히 아이’, ‘저수지 근처에 가지 말 것’이라는 조건을 건다. 하지만 보영은, 금기를 깨고 자신의 딸 ‘다정’을 몰래 데리고 가는데... 사람 죽어 나가는 ‘귀못’이라고 불리는 저수지 옆에 위치한 왕할머니의 거대한 저택에선 불길하고 괴이한 징조가 계속되고, 그러던 중 보영은, 이곳을 찾은 외지인들이 의문의 변사를 당한 것을 알게 된다.

简介：Olga and Maks are 15 years away. She is a successful woman with an established position, the mother of an adult daughter, he is a handsome young man who enjoys his life in a handful and lives only in the moment. It might seem that these two different worlds will never meet, and yet fate put them in the way.

简介：女主角为了要迎接远道而来的男友而在豪雨中出了家门。就当女主角接到男友时，没想到在镇上因为高压电的关系而巨大化的蠕虫开始袭击小镇上的所有居民。。。

简介：

在一场世纪大地震后，矗立于海中央的“重力墙”将世界一分为二，形成两个不同的时区和重力环境，“优日区”的一天，是“长年区”的一年。长年区长大的薯仔（许光汉 饰）对来自优日区的实习医生安晴（袁澧林 饰）一见钟情，面对时间和地理的巨大阻碍，薯仔和安晴用尽全力双向奔赴，以年思念，以日相见。在失衡的时空里，他们能否坚定地爱到最后，守护这场刻骨铭心的爱恋？

简介：1963年，艾丝特生下家中最小的孩子──罗兰，本该欢天喜地迎接新生命的到来，他天生却患有足内翻，无法跟正常人一样站立。尽管周遭的人都劝艾丝特放弃，但她仍对儿子许下承诺，他也可以像其他人一样行走，拥有精彩的人生。从那刻起，她倾尽一切，只为了让这个承诺成真。

简介：

　　知名影星杰·凯利（乔治·克鲁尼 饰）展开一段自我探索的旅程，与对他不离不弃的经理人罗恩（亚当·桑德勒 饰）一同面对过去与现在。这部作品既感人又幽默，深入描绘遗憾与辉煌交织的瞬间。

简介：

风既是力量，也是阻力。21岁的埃琳娜毫无经验，带着从未面对过的过去，投身于奥运梦想之中。要获得国际极限帆板赛（IQ Foil Windsurfing）的参赛资格似乎几乎不可能，毕竟她三年前才第一次在帆板上离水。她不懈的雄心一直是她的策略和盾牌，在自律和自我毁灭之间保持微妙的平衡。饮食失调只是她经历过的众多波涛汹涌中的一朵浪花。当风搅动起深埋的记忆时，性虐待的创伤开始重新浮现，埃琳娜首次公开谈论起多年前遭受的侵犯。只有放下控制，她才能找到真正的平衡，在比赛中站稳脚跟，并探索出一条前所未有的通往奥运资格的道路。这部女权主义和诗意的成长纪录片，以大海的浩瀚美丽和冷漠为背景，探讨了雄心、生存和自我解放之间脆弱的界限

简介：

 暑假夏令营活动开始，初中学生金华由于忍受不了长途跋涉，在他的小朋友"飞车队员"二宝的引诱下，私自离开了队伍，同二宝去观看"飞车表演"。二宝将金华介绍给"飞车皇后"女青年林惠珠。当林惠珠得知金华父亲是港务局长时，便主动吸收他为"飞车队员"。金华被林惠珠的花言巧语所蒙骗，回到云海港向爸爸说明了要买一辆漂亮轻骑的理由。当父亲了解到金华私自脱离了夏令营队伍并参加了"飞车队"时，大为吃惊。他耐心劝导金华，一定要追上队伍去参加夏令营的航模表演。临行时，他送给金华一块带洞的银元当做证明，让他沿路到几个地方歇脚、住宿。金华来到第一站铁奶奶家，受到热情接待。铁爷爷向金华讲述了银元的故事：当年金华爷爷为保护乡亲同敌人斗争，英勇牺牲。金华的爸爸就是拿着这块做联络暗号用的银元找到了游击队，消灭了敌人，解救了乡亲们。金华又来到第二站志平家。这个当年游击队长的儿子，竟整天无所事事，一味追求享受。金华急着要赶路，志平让他给林惠珠带去一辆轻骑，并暗中将一包东西塞进油箱里。金华骑车上了路，不料半路摔坏了轻骑。又累又渴的金华来到瓜地，偷摘了一个西瓜。看瓜的姑娘不容情，金华只好把那块银元当做抵押。第三站是当年的老交通周老大家。没想到看瓜的小姑娘就是周爷爷的孙女海萍。金华向周爷爷承认了自己的错误，并取得了海萍的谅解。轻骑没按时送到林惠珠那里，志平找到周老大家，碰上金华，可他偷藏在油箱里的走私物品，却早已被帮助修车的周老大发现。志平害怕周老大把他送到父亲那里，吓得悄悄地溜走了。这时，夏令营的队伍已来到目的地鹰嘴岛。老师在聘请周爷爷讲革命传统的同时，见到了金华，同学们热情地欢迎他归队。在夏令营航模表演就要开始时，志平将金华骗走带到一个山洞里，他伙同林惠珠对金华进行威逼和恐吓，事实教育了金华，他勇敢地与他们搏斗。正危急时刻，老师和同学们赶到解救了金华。精彩的航模表演开始了，金华小组取得胜利。金华庄严地走到主席台前，将那块银元交给特意赶来参加大会的爸爸。港务局长又将银元送给学校夏令营留作纪念。蔡老师激动地接过银元，向全体师生宣布："这块不平凡的银元凝结着老一辈革命先烈的鲜血，在向四化进军的今天，它仍然是一件非常珍贵和有意义的礼物！"

简介：

 舞台上，著名相声演员舒怀（赵炎 饰）和搭档谢林（郑健 饰）逗得观众哈哈直笑，台下掌声雷动，观众欢呼要求返场，并且要求说个新段子。但是舒怀成名后疲于应对各种社交应酬，没有精力潜心创作，弄得他在梦中困在舞台上羞愧难当。正在焦急万分的时候，他被老婆梅英从睡梦中叫醒，梅英和他商量要给他母亲操办六十大寿。妻子前脚刚走，有客来访邀请舒怀参加即将举行的曲艺大奖赛，当然他必须为此拿出新的段子。舒怀叫上谢林躲到某渔村搞创作，而过上新生活的村里请客送礼的歪风蔚然成行。才出狼穴，又入虎口。 新的人情网让舒怀更加苦不堪言……

简介：

上海的退休工程师老汪与儿子有一个约定，每周六小汪会回父母家一次，顺便吃碗老汪拿手的菜肉馄饨。为了让儿子早点结婚生子，老汪在爱人素娟的启发下，决定自己去公园相亲角为儿子物色一名婚恋对象。在相亲角，老汪结识了老金、美琴、阿芳等人，自己也无意中卷入了一场始料未及的情感漩涡之中。

简介：

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.